All posts by Moritz Neumüller

Moritz Neumüller (b. Linz, Austria, 1972) is a curator, educator and writer in the field of Photography and New Media. He holds a Master Degree in Art History and a PhD degree in Information Management and has worked for several important art institutions, such as the Museum of Modern Art in New York, PhotoEspaña in Madrid and LOOP in Barcelona. At the moment, he works as Festival Curator for PhotoIreland in Dublin, and directs the Photography Department of the Istituto di Design in Madrid. In 2009, he founded artecontacto, a project aimed at exploring art through all senses, in order to provide access for all, including visitors with visual impairments or learning difficulties. Since 2010, he runs the The Curator Ship, a platform that provides useful information for visual artists. Since 2011, Moritz Neumüller is Co-director of Museum For All, a network of museums in Europe working to advance accessibility in the areas of culture and learning in a collaborative, all-inclusive way. This project is a partnership between artecontacto and the Design For All Foundation in Barcelona.

Best of Braga

Braga PF Reviews rocks!I saw great works from Luciana Faria Silva, Dani Pujalte & Rita Serra, Anni Hanén, Rui Diogo Castela, Silas de Paula, Jenny Rova, Carlos Heuser, Ditte Lyngkaer Pedersen, Carlos Barradas, Fernanda Chemale, Paulo Martins, Kristin Trub, Projecto PH, Emmanuel Guillaud, Laís Pontes, Sonja Hamad, Adrián Portugal, Lizadie Taste, José Diniz, Gabriel Carpes, Friso Spoelstra, Jewgeni Roppel, John Thackwray, Carlos Alba, Conchi Martinez, Massimo Barberio, Inma Barrio, Miriam Stanke, Matti Tanskanen, Jill Quigley, Antonio Cavicchioni, and Marie-Pierre Cravedi.

As for the books, the three winners have been chosen and will also be announced this evening. Thank you to all the great photographers and, of course, to Ângela Ferreira and her wonderful team!

captura-de-pantalla-2016-09-24-a-las-17-54-35

European Photography #100 Call. Deadline: Sept. 25, 2016

“Call for Submissions: To celebrate its 100th issue, European Photography is looking for 100 outstanding single images and the stories behind them. www.talking.photography. – Why a submission fee? Our past calls for submission were free and open to everyone – with the result that we became swamped with entries that had nothing to do with the topic at hand. By requesting a modest administration fee for what we are offering with this call – possible publication in European Photography, presentation on our website talking.photography, and a free copy for every selected participant – we hope to channelize this process and address only those who are truly committed and engaged”.

Call for Curatorial Projects, Valencia, Spain. Deadline: Nov. 14, 2016.

——>English<——

V.O.

The Consortium of Valencian Museums has launched the first edition of “V.O.”
The purpose of this call is the selection of three projects, for exhibitions during the years 2017 and 2018 at the Centre del Carme of Valencia and other associated centers of Alicante and Castellon.

The projects submitted must address contemporary artistic creation and innovation in creative processes, promoting mobility of exhibition productions and different artistic disciplines. Open to individuals and collectives.

The overall budget for each project is 25,000 €, with € 3,000 reserved for the curator and and 3,300 € for the artist or artists or participants.

The deadline for submitting projects for V.O. ends on November 14, 2016.

——>Español<——
El Consorci de Museus de la Comunitat Valenciana ha puesto en marcha la primera edición de su convocatoria V.O. dirigida a comisarios. Entre los objetivos que persigue el Consorci de Museus está el de contribuir al dinamismo del contexto artístico en la Comunitat Valenciana. Una de sus actuaciones concretas en este ámbito es el apoyo a comisarios y comisarias para dar a conocer propuestas innovadoras en el campo de las artes visuales, así como apoyar su desarrollo en el terreno profesional. El objetivo de esta convocatoria es la selección de tres proyectos de comisariado de carácter inédito para la realización de exposiciones durante los años 2017 y 2018 en el Centre del Carme de Valencia y en otros centros consorciados de Alicante y Castellón.

Los proyectos que se presenten deben abordar la creación artística contemporánea y la innovación en los procesos creativos, promoviendo la movilidad de las producciones expositivas  y las diferentes disciplinas artísticas. Puede optar a la convocatoria cualquier persona, a título individual o colectivo.

La dotación económica para cada uno de los proyectos es de 25.000 €, donde se incluyen los honorarios de 3.000 € para comisariado y 3.300 € para el o la artista o artistas participantes.

El plazo para presentar proyectos para V.O. finaliza el 14 de noviembre de 2016.

Bases V.O.
http://www.consorciomuseos.gva.es

Smack Mellon Call for emerging curators. Deadline: Sept. 1, 2016

Proposals are accepted annually from Emerging Curators for the Emerging Artists Summer Exhibition. The Emerging Artists Summer Exhibition will be curated by a selected Emerging Curator and will be made up of Emerging Artists. An Emerging Curator is defined as an independent curator who is beginning their career as a curator. Proposal must show history of at least 3 prior curatorial projects successfully presented to a public audience.

The selected curator’s exhibition theme will be announced in the open call process for the emerging artists program. The theme should be relevant to political, social or environmental issues. Curators must select 50% of their artists from the pool of emerging artists. The exhibitions must include at least 60% women artists, as part of Smack Mellon’s mission to support women artists.

Smack Mellon provides curators a stipend and a budget for artists’ stipends. The curator is encouraged to stop by the gallery during gallery hours to look at the space in order to tailor their proposal to the space.

Smack Mellon can provide audio and visual equipment such as projectors and flat screen monitors as well as technical support for installing complex projects.

The curator should realize that we expect a hands-on approach at the gallery. The curator is expected to be in NYC to review all submissions. The curator is expected to be at the gallery throughout the installation and the curator and artists involved in the exhibition are responsible for the execution and installation of the artwork. The curator should clarify to all artists when invited to participate that they are responsible for delivering their work to the gallery, installing and de-installing their work. Smack Mellon does not have a full time staff of preparators. Smack Mellon will hire an installer for 2 days to help with general installation. Smack Mellon gallery staff can assist in installation of work requiring a lift or special mounting. Our gallery staff may also assist artists with installation of other complicated projects but will not be involved in helping the artist to build their work on site. Our technical staff will install all of the equipment (projectors, monitors etc.) belonging to Smack Mellon. It will be the artist’s responsibility to install and maintain any equipment that belongs to the artist.

Specifics about the installation of artwork and about the equipment that Smack Mellon is able to provide will be discussed after the initial proposal has been reviewed and accepted as a proposal under consideration.

Curators do not have to propose a completed show but must submit the following:

______________________

1. Documentation of past exhibitions
(Up to 20 still images and/or a maximum of 3 three-minute videos of past exhibitions.)

2. Resume

3. Curator’s Statement about past exhibitions

4. Curatorial Proposal for new exhibition
(A list of artists under consideration can also be included.)

5. Work Samples
(Curators should also include images of the artists’ work to be included in the exhibition. If new work will be created for the exhibition, send images of their past work. A maximum of 20 still images can be submitted. )

_________________

TO BEGIN THE APPLICATION PROCESS

https://smackmellon.submittable.com/submit/e60ea1cc-58fb-49db-99f0-4d572885d5de

(You are not required to finish your application in one session.)

http://smackmellon.org/

En Foco Releases Newly Designed Nueva Luz vol. 20:1 Spotlighting the Bronx Women’s Photo Collective

FOR IMMEDIATE RELEASE
Contact: Layza Garcia & Bill Aguado
Email address: info@enfoco.org
High-resolution images available upon request

NL 20-1_CoverImage

Bronx, NY | July 2016 – Nueva Luz vol. 20:1, the revitalized and redesigned photographic journal from En Foco is now available in print and online. As with past issues of Nueva Luz, the magazine has illustrated the provocative, the avant-garde and the perspicacious photographic prognostications and philosophies from photographers of color who probe the heart of humanity through their lens.   This newly released and rebranded special issue is no different than an exploratory probe into the human psyche of inner-space.

En Foco and by extension Nueva Luz, has always sought to include and expand the parameters of visual presentation and has challenged concepts of identity for and about photographers of color.

Curated by Juanita Lanzo and designed by Nestor Otero, this edition of Nueva Luz features three dynamic…

View original post 519 more words

Bemis Center for Contemporary Arts. Open Call for Curator in Residence. Deadline: Aug. 29, 2016

Curator in Residence Program in Nebraska, 2017

Now celebrating its 35-Year Anniversary, the Bemis Center is thrilled to launch the first Curator-in-Residence Program in the state of Nebraska, infusing Omaha with thought leaders in contemporary curatorial practice to engage the local arts community. Competitive applicants will possess a strong knowledge of international contemporary art and a genuine interest in researching and responding to cultural production in Omaha and the region. The Curator-in-Residence is part of the cultural fabric of the city, serving as a professional resource for local artists and arts professionals, and as an ambassador of the Bemis in the community. S/he will be an integral member of the Bemis’s Artist-in-Residence Program, sustaining an intellectual discourse surrounding contemporary art practice through studio visits, knowledge-sharing workshops, and other organized programs with fellow residents.

The Bemis Center for Contemporary Arts is now accepting applications from national and international curators for its inaugural Curator-in-Residence Program. Starting in January 2017, the successful candidate will participate in a one-year fully subsidized live/work residency as part of the Bemis Center’s acclaimed Artist-in-Residence Program. S/he will originate and present three exhibitions and related public programs inclusive of local and national artists. The Curator-in-Residence will work alongside residency and curatorial staff, and actively contribute to the overall vision of the Bemis’s renowned exhibition program. Reporting to the Curator of Exhibitions and Public Programs and the Artistic Director for Residency Programs, the Curator-in-Residence is a full-time temporary position. S/he will be involved in all curatorial and administrative aspects of organizing three exhibitions over a 12-month residency. The 2017 exhibition seasons are scheduled for February 2–April 29, June 1–August 26, and November 9–January 27. Exhibitions will be original, conceptually rigorous, and exemplify the true breadth and experimentation currently defining contemporary art. Duties include, but are not limited to, research, artist and donor relations, exhibition design and installation, writing/editing of scholarly texts and didactics, budgeting, conceptualizing and leading public programs, and exhibition tours. The Curator-in-Residence studio is for single occupancy only; Bemis is unable to accommodate partners, children, and pets at this time.

There are no fees to apply.

ELIGIBILITY

  • Residency opportunities are open to national and international arts professionals 21+ years of age, showing a strong professional working history.
  • Bemis Alumni are allowed to re-apply for residency after a three year hiatus from the program. Alumni seeking residency must submit a complete application including recent work samples and current resume. Preference may be given to applicants who have not previously attended.
  • Students enrolled in an academic program during the time of requested residency are not eligible to apply.
  • Bemis welcomes internationally based arts professionals to apply. A working knowledge of English is helpful for international artists as an interpreter will not be provided.
  • Bemis Center for Contemporary Arts is committed to a policy of nondiscrimination and equal opportunity for all persons regardless of race, sex, color, religion, creed, national origin or ancestry, age, marital status, sexual orientation, gender identity, gender expression, and disability. For special needs or questions about accessibility, please contact the Residency Program Manager.

QUALIFICATIONS

  • Master’s degree in curatorial or museum studies, art history, or related field; or 5 years equivalent professional work experience in the field;
  • A minimum of 1-2 years curatorial experience in an academic, non-profit, and/or commercial gallery setting;
  • Strong knowledge of international contemporary art and a keen interest in understanding and working with Omaha’s cultural landscape are required;
  • Excellent verbal and written communications skills are essential;
  • Creative and strategic thinker with the capacity to take initiative and to work independently and as a team player in a fun, yet demanding arts organization;
  • It is understood the ideal candidate will understand and promote the Bemis Center’s mission and, as an ambassador of the organization, perform all Bemis-related duties in a professional, responsible manner.

FEES & BENEFITS

Submission of applications are only accepted online through www.slideroom.com.

There is no fee to apply.

The selected Curator-in-Residence will receive:

  • Monthly honorarium: $2,500
  • Relocation allowance: $2000*
  • Ground transportation allowance: $300/month
  • Travel/research budget: $3,000
  • Free lodging in a sizable, well-appointed live/work studio with private bath and kitchen and complimentary utilities, laundry, and Wi-Fi
  • Administrative staff support
  • Dedicated gallery; approximately 2000 square feet; 12.6 foot ceilings; concrete floors

*Curator-in-Residence will organize own travel to Omaha for residency.

Application Review Process

SlideRoom will confirm receipt of your submitted application. Residency applications are reviewed each cycle by a rotating panel represented by arts professionals such as artists, curators, academics, and/or critics. The review process will take 6-8 weeks from the application deadline. Notifications to all applicants will be sent via email after the selection panel has made its final decision.

The final date for submissions is the 29th of August, 2016.

To Apply: https://bemis.slideroom.com/#/login/program/31340

More information about the Bemis Center of Contemporary Arts: http://www.bemiscenter.org/

 

Photobook Club Aarhus

If you live in the Jutland area and want to help us in setting up a Photobook Club in Aarhus — something which would extend the  conversations that happen around Aarhus Photobook Week throughout the year, please get in touch with us.

This new association would be part of the worldwide Photobook Club Network.

Hoping to hear from you!

 

Moritz