Tag Archives: France

Curators’ Meeting, Arles. Deadline: May 13, 2019

CALL FOR APPLICATIONS

For the first time, the Rencontres d’Arles and the French Ministry of Culture are launching a professional matinée open to all curators.

Thursday July 4, 2019 at 9 am

TEMPLE ARLES BOOKS

Deadline for submitting projects:

May 13, 2019

> APPLICATION MUST BE FILLED ONLINE HERE <

DETAILS

The Curators’ meeting is intended for institutions and curators wishing to present a new exhibition project involving the image or photography to a professional public. The event aims to encourage the production or coproduction of the projects presented.

An institution, cultural organization, collective or freelance curator may submit the project.

The Ministry of Culture, Temple Arles Books and the Rencontres d’Arles will select around 10 projects, which will be presented to an audience of professionals. The project’s organizer will make a brief (10 minutes) presentation in English or French. A luncheon will follow the meeting.

If you would like to attend the event, please send an e-mail to: curatorsmeeting@rencontres-arles.com

If you have any questions or encounter difficulty logging on, filling out the online application or downloading the documents, please write to: curatorsmeeting@rencontres-arles.com


APPEL À CANDIDATURES

Les Rencontres d’Arles et le ministère de la Culture lancent pour la première fois une matinée dédiée aux professionnels et proposent un Curators’ meeting ouvert à tous les commissaires d’exposition.

Jeudi 4 juillet 2019 à 9h

TEMPLE ARLES BOOKS

Date limite de dépôt des projets :
13 mai 2019
13 mai 2019

> DOSSIER DE CANDIDATURE À REMPLIR ICI <

MODALITÉS DE PARTICIPATION

Le Curators’ meeting s’adresse aux institutions et commissaires souhaitant présenter à un public professionnel un projet inédit d’exposition en lien avec l’image ou la photographie. Cet événement vise à encourager la production ou la coproduction des projets présentés.

Le projet peut être porté par une institution ou une structure culturelle, un collectif ou un commissaire d’exposition indépendant.

Une dizaine de projets seront sélectionnés par le ministère de la Culture, Temple Arles Books et les Rencontres d’Arles, et présentés devant un auditoire de professionnels. Chaque projet d’exposition donnera lieu à une présentation brève (10 minutes) en anglais ou en français par son organisateur. La rencontre sera suivie d’un déjeuner.

Si vous souhaitez assister à la présentation des projets, confirmez votre inscription en envoyant un mail à l’adresse : curatorsmeeting@rencontres-arles.com

Si vous avez des questions ou si vous rencontrez des difficultés à vous connecter, remplir le dossier en ligne ou télécharger les documents, nous vous remercions d’écrire à : curatorsmeeting@rencontres-arles.com

Residency at School of Visual Arts, France. Deadline: Mar. 29, 2019

CALL FOR APPLICATIONS

Every year since 2011, BMW Art & Culture has given an artist the opportunity to produce a photography project in a three-month residency. The project is undertaken at the GOBELINS School of Visual Arts, which has been involved in the Residency for the past two years, following a six-year partnership with the Nicéphore Niépce Museum.
The BMW Residency results in the production of works created with the support of the artistic director, François Cheval and GOBELINS staff. A selection of works produced during the Residency will be exhibited at two major photography events for which BMW is a partner – the 2020 Rencontres d’Arles (between the opening week in July and the end of August) and 2020 Paris Photo fair.
Works produced during the BMW Residency will be presented in a book included published by éditions Trocadéro, in the BMW Art & Culture collection.
The BMW Residency will take place between September and December 2019.

Call and Regulations

 


 

Paris – BMW Art & Culture permet, chaque année depuis 2011, à un artiste photographe de réaliser un projet photographique au cours d’un séjour de trois mois de résidence. Le projet est réalisé à GOBELINS, l’école de l’image, partenaire depuis deux ans, après six ans de partenariat avec le musée Nicéphore Niépce.

La Résidence BMW aboutit à la production d’œuvres réalisées avec le soutien de François Cheval, directeur artistique et de l’équipe de GOBELINS. Une sélection des œuvres produites en résidence sera exposée dans deux évènements photographiques majeurs dont BMW est partenaire : aux Rencontres d’Arles*, de la semaine d’ouverture en juillet à fin août 2020 et à Paris Photo* 2020.

 

Hyères Festival photography competition. Deadline: Dec. 1, 2018

PHOTOGRAPHY COMPETITION 
CALL FOR APPLICATIONS
Registration deadline : December 1, 2018
Download regulation on www.villanoailles-hyeres.com

Festival for young European photography. Deadline: Sept. 30, 2018

Circulation(s), festival of young European photography will be held for its 9th edition at CENTQUATRE-PARIS from 13th April 2019.

The collective THE RED EYE (Audrey Hoareau and François Cheval) is named at the artistic direction of the Circulation(s) festival 2019.

The call for application of the Circulation(s) festival is extended until Septembre 30th, midnight (Paris time).

 

https://www.festival-circulations.com/reservation/call-for-applications-2019/

 

 

 

Boutographies Festival. Deadline: Nov. 12, 2017

CALL FOR ENTRIES :
Deadline: Sunday 12th november 2017
DATES FOR THE FESTIVAL : 05th to 27th may 2018
PLACE : Pavillon Populaire
http://www.boutographies.com/

Les Boutographies is a festival of contemporary creative photography open to all photographers living in Europe. The criteria for selection by a jury of professio nal in the photographic field are a high creative level, originality and a coherent personal vision. There is no theme. Those works selected for exhibition are already eligible for three prizes: the Jury Prize, the Fotoleggendo Exchange Prize, the Public Prize. And three partners prizes: Coup de coeur Réponses Photo, Coup de coeur ARTE Actions Culturelles and Coup de coeur Les Jours.

Call for entries

The dossier
Phase 1 All candidates must submit their work as a digital file (see below).
Phase 2 After a pre-selection by the festival’s directors, about a hundred photographers will be invited to send in
the same work as paper prints (proofs) for examination by a final jury
How to present the on-line dossier
■ A series of between 10 and 20 photos as a digital file in the following format: 700 pixels for the longest dimension, in 72dpi
and in jpg. ALL THE IMAGES SHOULD BE IN A ZIP FILE.
EACH IMAGE SHOULD BE IDENTIFIED IN THIS WAY: Name_fist name_Exhibition title_Number of the photo / Example:
Smith_Peter_Jardin_secret_02.jpg
NAME THE ZIP FILE LIKE THIS: Name_fist name_Exhibition title. Example: Smith_Peter_Jardin_secret.zip
■ A single subject by dossier. Collectives and groups, contact us.
■ A text presenting your work, its title, and an indication of the number and size of the images you wish to propose, if selected
for exhibition. ALL ON A DIGITAL FILE
NAME THE FILE: Name_fist name_Exhibition title.text.pdf Example: Smith_Peter_Jardin_secret.text.pdf
■ A brief CV + personal details; title (Mr. Mrs. Miss) address, telephone and e-mail. ALL ON A DIGITAL FILE
NAME THE FILE: Name_fist name_Exhibition title.bio.pdf Example: Smith_Peter_Jardin_secret.bio.pdf
Inscription fees
■ The inscription fees are 22 euros for each dossier sent in. They are not reimbursable in case of non-selection.
The fees can be paid by cheque in euros (drawn on a French bank only) made out to Grain d’Image ; by international bank
transfer*; or by PayPal**. (see the Inscription form on the following page)
Note
■ Only those dossiers complying with all the conditions will be considered.
■ You will be notified at the beginning of December. If you are pre-selected, you will have 15 days to send proof prints (A4
maximum.
.
Important
Each photographer chosen to exhibit in the festival agrees to be present for the opening weekend. Your hotel accommodation
during this weekend and the transport of your exhibition will be at the festival’s expense (crate and packaging at your
expense). These terms do not apply to photographers chosen in projection.
We do not pay personal travel expenses, or production costs.
You must have total rights over your work. We do not accept submissions via agents.
Contact
+33 (0)6 19 29 17 84 ❘ +33 (0)9 54 48 07 46 ❘
contact@boutographies.comhttp://www.boutographies.com
The organisers reserve the right to use, free of charge, elements of the dossiers selected to promote the Boutographies. The organisers decline all responsibility for loss
or damage to the dossiers, however caused. In case of force majeure the manifestation could be cancelled without notice, and without any form of compensation. The
submission of a dossier to the Boutographies implies the acceptance of these rules.
Les Boutographies are organised by the association Grain d’Image
Festival Office
09 rue Joachim Colbert, 34000 Montpellier.

Fashion photography Prize. Deadline: Dec 1, 2016

PHOTOGRAPHY COMPETITION CALL FOR ENTRIES
Submission deadline : December 1st, 2016
Download regulation on http://www.villanoailles-hyeres.com
Information : enquiry.photocompetition@villanoailles-hyeres.com

Every Spring in the South of France, the Festival spotlights young promising artists in the fields of fashion and photography. The festival proposes diverse exhibitions, professional panel discussions and three competitions. These competitions highlight ten fashion designers, ten photographers and ten accessories designers, who are selected by a jury of professionals in each field. The work of the selected artists is presented to the jury members and general public during either fashion shows (for the fashion designers), a group exhibition (for the photographers) or a group exhibition and a video (for the accessories designers).

On the last days of the month of April, as every Spring since 1997, the villa Noailles will once again become the epicenter for emerging photography.

There, in the photography section of the Festival de Hyères, ten artist-photographers will exhibit their personal conjugation of the verb to see. Hyères defends and praises photographic works that strive for sense, singularity, innovation and uncompromising artistic standards. The bodies of work spotlighted at Hyères are still being born. Yet, the articulateness of their aesthetic stances confidently allows us to bet on their projection into the future. Attentively sorted and short-listed, an imposing lot of nearly 800 worldwide submissions is put under the scrutiny and appraisal of an international jury of professionals that gathers, late January, in Paris. The jury’s choice of the ten photographers to showcase sets in motion an exacting curatorial and production process that will culminate shortly in the unveiling to the public, on the walls of the villa Noailles, of an exciting group exhibition: ten new artistic visions that will help shape the photography of tomorrow.

During the three days of the festival, the selected photographers meet to discuss their exhibited work and ongoing portfolios with the members of the jury. Art dealers, museum curators, art critics, art directors for magazines or advertising agencies, among past Festival jurors we can randomly mention Urs Stahel (Fotomuseum Winterthur), Marloes Krijnen (FOAM, Amsterdam), Dennis Freedman (W, New York), Charlotte Cotton, Glenn O’Brien, Marta Gili (Jeu de Paume, Paris), Jörg Koch (032C, Berlin), James Reid (Wallpaper*, London), Frits Gierstberg (Nederlands Fotomuseum, Rotterdam),
Kathy Ryan (New York Times, New York), David Campany (London), Joerg Colberg (Conscientious), Charles Fréger (photographer, France), Erik Kessels (KesselsKramer, Amsterdam), Brett Rogers (The Photographer’s Gallery, London), Karen Langley (Dazed, London), Winfried Heininger (Kodoji Press, Switzerland), Damien Poulain (Oodee, London), Jason Evans (photographer, United Kingdom), Mutsuko Ota (IMA, Tokyo), etc. Agents, art dealers and art directors, all eager to meet new talent, also attend the Festival. The Hyères meetings between artists and jurors render possible an in-depth discussion – elsewhere highly improbable – about the photographer’s work and its potentialities. An intellectually intense exchange between photographers and key figures of the artistic and commercial spheres, these one to one meetings have often proved fruitful opening for the photographers the doors to different media, from the pages of a magazine to the walls of a museum or an advertising campaign.

PARTNERS
The Festival is organised by the Association villa Noaillesand has been financed through the support of the City of Hyères, since its creation in 1986, and since 2003 by the Communauté d’agglomération Toulon Provence Méditerranée, with the support of Direction Régionale des Affaires Culturelles (ministère de la Culture et de la Communication), of Conseil Régional Provence-Alpes-Côte d’Azur, of Conseil Départemental du Var.

Major partner:
CHANEL

Main partners:
LVMH, Première Vision, Chloé, Défi, Fédération française de la couture du prêt-à-porter des couturiers et des créateurs de mode, Groupe Galeries Lafayette Year partners: Eyes on Talents, Puntoseta, fondation d’entreprise Ricard

Partners of the festival:
Petit Bateau, Nina Ricci, Elie Saab, Swarovski, Givaudan, Paris sur Mode – Tuileries, Vilebrequin, Hans Boodt mannequins, John Nollet,  Les Arts décoratifs, Givaudan, Brachfeld, Peroni

Fondateur et directeur général / Founder and General Director
Jean-Pierre Blanc
Directrice artistique photographie / Photography art direction
Raphaëlle Stopin

Rules_in_english

reglement_en_français

Fondation des Treilles Photography Prize. Deadline: Oct. 2, 2016.

Guidelines to compete for the Photography Prize

Eligibility

The photography prize of the Fondation des Treilles is open to all professional photographers with neither age limit nor nationality considerations. Photographers must have already published or exhibited their work.

The subject of their project can be anything from landscape to architecture, social or archeological photography, as long as it is closely related to the Mediterranean world.

Digital or conventional, the technique used to produce the work must be applied with a spirit of durability and conservation.

 

Judging

The jury, is chaired by Mrs Laura Serani, former director of photography, audiovisual and Fnac Collection, curator and artistic director of several major photographic events (as Les rencontres de Bamako, biennale africaine de la photographie), Artistic Associate of the Month of Photography 2014 in Paris, writer and critic. The other members are: Ezzaïm Hassan, Director of the Villa des Arts Rabat / Casablanca, ONA Foundation, Charles-Henri Filippi, collector, Chairman of Citigroup France, Costa Gavras, film director, Macha Makeieff, director of theater, Director of the National “Theâtre de la Criée” in Marseille, Jean-Luc Monterosso (Director of the “Maison Européenne de la Photographie”) and Sarah Moon, photographer, film-maker.

The jury’s decision will be final and not subject to appeal.

 

Prize: reminder

The prize is made of both an allowance of 2650 euros per month for a period ranging from two to eight months depending on the project, coming with a living residency.

The duration of the cash allowance will be decided by the jury depending on the project. All the expenses due to the realization of the project and more specifically travel costs will remain at the charge of the winner

As far as the residence is concerned, its maximum duration is of 8 months. By the way, it can not last less than one month, specially in order to insure the achievement of the development of the photos at Les Treilles.

 

Liabilities

Photographers shall guarantee that their works do not infringe the rights of third parties (image rights, right to private property, etc) or that they have obtained the necessary reproduction and exhibition permissions from these parties.

Entering the competition implies full acceptance of the terms of participation.

 

Application form and documents

FOR DIGITAL PRE SELECTION:

Please send:

The application form fully completed [download the competition form]

A short presentation of the project

10 to 20 images in jpg format, 300 dpi, medium quality compression, the longer side of the image should not be more than 12 cm

The applicants will be notified of their selection by email.

 

FINAL SELECTION

Applicants chosen at the conclusion of the pre selection phase have to submit a hard copy application to the following address: Fondation des Treilles, Prix “Résidence pour la photographie”, 90 rue de Varenne, 75007 Paris.

It requires:

A supporting text in French or English presenting the project and explaining the author’s approach of the chosen topic. The text should also mention if the applicant has already been awarded in other former prizes.

From 10 to 20 prints of a minimum A4 size up to an A3 maximum format.

A signed letter where the applicant (if awarded) undertakes the cession of at least 3 prints and the copyrights of such images in the strict limit of an institutional use. The prints will be part of the art collection of la Fondation des Treilles.

A stamped envelope or any form of package at the right format for the return of the prints to the applicants that have not been selected. Applications sent without the requested return envelope or unvalid stamping will not be returned.

 

TIMETABLE FOR A RESIDENCY IN 2017

Applications for pre selection must be sent from May 2 to October 2, 2016 to the following email address: prix.photo@les-treilles.com

Pre selection will take place in November 2016. Selected or not, each applicant will be advised.

Hard copy applications must be sent from: dates to be confirmed later.

Meeting of the panel of judges: date to be confirmed later.

Announcement of the winner, December 2016.