Tag Archives: Photography

Format Festival Call. Deadline: Sept 6, 2018

Open Call FORMAT19: FOREVER//NOW

Deadline – 6th September 2018

The FORMAT team is delighted to present the amazing awards available to the successful entries for the FORMAT19 Open Call.

FORMAT19 Bursary: Everyone who is selected to exhibit at FORMAT19 will receive a bursary to assist them with their production, installation and/or travel costs.

FORMAT19 Award: A £2000 cash prize will be awarded to one of the successful entries, judged by the panel of international jurors.

Spectrum Imaging Award: Printing services and mentorship worth £1000 will be awarded to one of the successful entries judged by Spectrum.

Genesis and Fuji Award: £1000 for printing and framing services will be awarded to one of the successful entries judged by Genesis and Fuji.

Other prizes include:

The Royal Photographic Society Award: cash prize of £500

The Photography Show Award: cash prize of £500

Chinese Photographers Magazine Award: cash prize of $500

ARCHIVO Platform Award: Online feature showcasing the work of the selected artist.

Don’t miss this opportunity to take part in FORMAT19. Please send us your projects that respond to the endless moment of FOREVER and the zeitgeist of the NOW. Challenge our panel of international experts in as many diverse and inventive ways as you can imagine.

We want to see what you are doing, making, thinking FOREVER//NOW.

Submit Now

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DGPh History of Photography Research Award. Deadline: Sep. 30, 2018

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Ausschreibung DGPh-Forschungspreis Photographiegeschichte 2018

Ausschreibung DGPh-Forschungspreis Photographiegeschichte 2018

Die Sektion Geschichte und Archive der Deutschen Gesellschaft für Photographie (DGPh) vergibt seit 1978 einen Preis, mit dem wissenschaftliche Forschungen auf dem Gebiet der Geschichte und Theorie der Photographie ausgezeichnet werden.

Der Preis richtet sich an Forschende aller Geistes-, Kultur- und Sozialwissenschaften, deren wissenschaftliche Arbeit einen fundierten, eigenständigen und innovativen Beitrag zur Photographieforschung leistet.

Der DGPh-Forschungspreis Photographiegeschichte der Sektion Geschichte und Archive wird alle zwei Jahre für Arbeiten vergeben, die sich der Photographie und Phototheorie sowie der gesellschaftlichen Bedeutung und Wirkung des Mediums widmen. Er richtet sich insbesondere an den wissenschaftlichen Nachwuchs.
Wir bitten um Einreichungen publizierter oder unpublizierter Essays oder Monographien (z. B. Manuskripte abgeschlossener Dissertationen) aus den letzten zwei Jahren. Die Entscheidung über die Vergabe des Preises wird durch eine Jury getroffen. Der Preis ist mit insgesamt 3.000 Euro dotiert und kann einem/er Bewerber/in oder zwei Bewerber/innen zu gleichen Teilen zugesprochen werden. Der/die Preisträger/in wird in einer öffentlichen Veranstaltung der DGPh geehrt.
Zur Bewerbung müssen folgende Bewerbungsunterlagen als PDF-Dateien online über das weiter folgende Anmeldeformular eingereicht werden:

• ein Abstract der eingereichten Arbeit (ca. 3.500 Zeichen)
• das abgeschlossene Manuskript
• ein Curriculum Vitae
• eine Publikationsliste.

Einreichungsfrist ist der 30. September 2018. Online-Anmeldeformular


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Call for Applications 2018 DGPh History of Photography Research Award

Since 1978, the History and Archives section of the German Photographic Society (Deutsche Gesellschaft fur Photographie, DGPh) recognises scientific research in the history and theory of photography.

The DGPh History of Photography Research Award 2016 will be open for all elements of research into photography’s many aspects. Besides aspects of traditional history and theory of photography, topics will be considered that deal with photography’s social meaning, or the impact that the medium has had on society. The applicant’s work should represent an autonomous, innovative, and original contribution to these areas. The award is particularly aimed at young scholars.

The award is open to researchers from all fields. Applications and manuscripts for the DGPh History of Photography Research Award may be submitted in either English or German. Applications should consist of a published or unpublished manuscript produced during the last two years before the deadline. Project outlines, or yet unfinished manuscripts etc. will not be accepted. Allocation will be the decision of an expert jury. The award is endowed with a total of 3,000 Euro. The jury holds the right to split the prize between two applicants in equal parts. The award will be handed over at a public event organized by the DGPh.

Submission requirements are the following pdf-files:

  • A complete manuscript as electronic file form
  • An abstract of the submitted work (approx. 300-500 words)
  • A curriculum vitae (résumé)
  • A list of publications.

The final date for submissions is the 30rd of September, 2018. Submissions should be send online under the Application form.

JULIA MARGARET CAMERON AWARD FOR WOMEN PHOTOGRAPHERS. Deadline: Sept. 12, 2018.

The Gala Awards, with the sponsorship of the Biennial of Fine Art & Documentary Photography invites women photographers worldwide to submit images to the 12th Edition of The Julia Margaret Cameron Award.

AWARDS AND EXHIBITION SELECTION:

The Jurors of the 12th Julia Margaret Cameron Award will select one Winner in the Professional Section and One Winner in the Non-Professional Section. The Gala Awards will organize a solo exhibition for each Winner in the respective sections taking care of all exhibition expenses, including printing and framing of up to 20 photographs each. The exhibition will be held in adjunct spaces in Barcelona on Q1 or Q2 2019. A curator designed by The Gala Award will assist the Winners in the selection of the work to be exhibited and will take care of the exhibition setup.The Winners of the categories Segregation & Human Rights, and Women Seen by Women will have a special award of $500 each.

The Jurors will also select, in both Pro and Non-Pro Sections, runner ups and honorable mentions, as well as a short list of finalists. All these photographers will be invited to exhibit in a collective exhibition in a space contiguous of those of the Winners. The exhibition organization and venue costs, will be borne by The Gala Awards, and the exhibitors will be charged for printing and framing, and setup costs (hanging, labeling, and insurance). Images of all awardees (Winners, Runner Ups, Honorable Mentions, and Finalists) will be exhibited online in The Gala Awards’ website during a minimum of two years.

CATEGORIES:
The Julia Margaret Cameron Award is addressed to professional and non professional women worldwide, who will compete in this editions in two different sections (Pro and Non-Pro) in the following categories: Abstract – Alternative Processes – Architecture & Interiors – Children – Cell Phone – Cityscapes – Culture & Daily Life – Digital Manipulation & Collage – Documentary & Reportage – Editorial & Current Affairs – Fine Art – Landscapes & Seascapes – Motion – Nature – Nude & Figure – Open Theme – People – Portrait – Segregation & Human Rights – Self Portrait – Still Life – Street Photography – Wild Life – Women Seen By Women. (A professional photographers is defined as anyone who earns more than 50 percent of her annual income from photography.)
FEES: During the Early Bird, until July 24Single Images:  $42 for the first 3 images (the minimum of images to submit is 3); $9 each additional image.Series: $45 for 1 series of 3 to 6 images; $13 each additional series.

From July 25 until the Final Deadline on September 12: $60 for the first 3 images (the minimum of images to submit is 3); $13 each additional image.

SERIES: $65 for 1 series of 3 to 6 images; $18 each additional series.

DATES:
Early Bird Deadline with 30% discount: July 24, 2018.
Final Deadline: September 12, 2018
Jurors’ announcement: first week of October, 2018.

MORE INFORMATION

Call for Submissions: Journal for Artistic Research (JAR). Deadline: Sept. 6, 2018.

JAR invites submissions from all fields and disciplines in which artistic research may be relevant, including areas that are not usually conceived of as artistic. We welcome submissions from practitioners with or without academic affiliations. JAR’s format for publishing artistic research, the exposition, invites authors to combine text, image, film, and audio material on expandable web pages, challenging the dominance of writing in traditional academic research. Submissions in multiple languages are accepted, if accompanied by an English translation, which will act as master version. Multilingual expositions are also welcome as long as translations are provided.
The Journal for Artistic Research (JAR) is an international, online, Open Access and peer-reviewed journal that disseminates artistic research from all disciplines. JAR invites the ever-increasing number of artistic researchers to develop what for the sciences and humanities are standard academic publication procedures. It serves as a meeting point of diverse practices and methodologies in a field that has become a worldwide movement with many local activities. JAR provides a digital platform where multiple methods, media and articulations may function together to generate insights in artistic research endeavours. It seeks to promote expositions of practice as research. In JAR artistic research is viewed as a developing field where research and art are positioned as mutually influential. Recognising that the field is ever developing and expanding, JAR remains open to continued re-articulations of its publishing criteria.

The JAR Network further facilitates exchange among the artistic research community. This part of the site is an extension of JAR rather than part of the peer reviewed journal. In the Network we publish writing that actively responds to issues in the field, allowing JAR to give focus to developments and make public some of the important discussions that artistic researchers have in their own local contexts.

For submissions information, and advice on whether your research is suitable for JAR, contact the Managing Editor, using the web contact form.

Submission Requirements

JAR works with an international editorial board and a large panel of peer-reviewers. Editor in Chief: Michael Schwab – Peer Review Editor: Julian Klein. Editorial Board: Alex Arteaga, Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika Elo, Azadeh Fatehrad, Yara Guasque, Julian Klein and Mareli Stolp.

JAR is published by the Society for Artistic Research (SAR), an independent, non-profit association. You can support JAR by becoming an individual or institutional member of SAR. More information can be found here.

PHOTOBOOK PRIZES & DUMMY AWARDS 2018.

Just in time before the summer, we have compiled this list of dummy competitions and photobook prizes.

Entries are sorted by date. The ones that are still open (as of June 2018) go first. For more infomation, go to their respective websites. This list is sure to grow as we find out about new ones. If you know of any we should add, please let us know.

Still open:

Fiebre Phonebook: Hurry! Deadline June 26, Fee: 20 €

Photobook Week Aarhus Dummy Award: Hurry! Deadline June 30, No fee.

UNSEEN: Deadline August 10, Fee: 30 € 

 

Coming Up:

MACK First Book Award: Wait for January 2019

Photobook Kassel:  Wait for April 2019

Nordic Dummy Award: Wait for May 2019

Landskrona Festival: Wait for June 2019

DocFiledBarcelona: Wait for 2019

 

Many festivals and institutions have prizes for already published photobooks. Here are some of these Book Prizes 

Paris Photo – Aperture PhotoBook Awards Open till September 14, 2018. 

Rencontres Arles: Wait for mid-2019

PHotoESPAÑA: Wait for mid-2019

(more to be added soon)

 


 

Finally, here is a list of other photobook events around the globe:

Photobook Fest Russia

http://photobookfest.com/eng

Katerina Zueva: zueva@lumiere.ru

Photobook Bristol

http://www.photobookbristol.com/

photobookbristol@gmail.com

Self Publish Riga

http://rigasfotomenesis.lv/en/news

+371 26 728 549

arnis.balcus@rigaphotomonth.com

The NY Art Book Fair

http://nyartbookfair.com/

nyartbookfair@printedmatter.org

PhotoIreland Festival’s Book & Magazine Fair

http://photoireland.org/

http://festival.photoireland.org/contact/

Organ Vida, Zagreb

https://ovfestival.org/

info[at]organvida.com

secretary: +385 91 9523 370

Istanbul Photobook Festival

http://fuamproject.com/en/?p=1583

+90 212 252 16 00

fuam@msgsu.edu.tr

Melbourne Photobook

http://www.photobookmelbourne.org/

hello@photobookmelbourne.org

+61 (0) 401 679 496

New Zealand Photobook

http://www.photoforum-nz.org/index.php?pageID=94

info@photoforum-nz.org

 

THE LOS ANGELES CENTER OF PHOTOGRAPHY ANNOUNCE THE FOURTH ANNUAL PORTFOLIO REVIEW. JULY 20-22, 2018.

The Los Angeles Center of Photography is pleased to announce its Fourth Annual Portfolio Reviews! at the EXPOSURE WEEKEND 2018.

The weekend will be filled with reviews, workshops, seminars, and networking events. The dates are Friday – Sunday, July 20-22, 2018. This year’s event will be held entirely at the beautiful Hotel MdR, a Doubletree by Hilton, in Marina Del Rey, CA. Reviews are 20 minute face-to-face meetings with gallery owners, photo editors, museum curators, publishers and other photo professionals.On Thursday, July 19, 6-8 pm, EXPOSURE WEEKEND 2018 will kick-off with LACP’s Fifth Annual Members’ exhibition opening reception at the Los Angeles Center of Photography. The show is juried by Catherine Couturier, the owner and director of the Catherine Couturier Gallery.

On Friday, July 20, 6-8 pm, EXPOSURE WEEKEND 2018 will host a Portfolio Walk. This event will be open to the public and anyone participating in the portfolio reviews can show their work. This will be a fun night and a chance to meet reviewers and see the work of your fellow photographers.

Portfolio Reviews are sold in blocks of 5 or 8 reviews and will be filled on a first come, first served basis. After registering for your reviews, you will be contacted to submit your reviewer preferences in order from 1-15, 1 being who you would like to see the most. The date you register holds your place in line and priority is given to those who register early. Schedules will be released by early July.
*Single Reviews will be released in July, only if there is space available.
Portfolio Review Pricing and Info
When: Friday-Sunday, July 20-22, 9:30 am – 5 pm, 2018
Where: Hotel MdR, a Doubletree by Hilton, 13480 Maxella Avenue, Marina del Rey, CA 90292

Early Bird Pricing (on or before June 8, 2018)
$475 ($450 Members) for 8 reviews
$325 ($300 Members) for 5 reviewsRegular Pricing (after June 8, 2018)
$500 ($475 Members) for 8 reviews
$350 ($325 Members) for 5 reviews

 

 More information

transeuropephoto PORTFOLIO REVIEWS ATHENS. NEW Deadline: June 1, 2018  

PORTFOLIO REVIEWS ATHENS_GREECE 

from 21th until 23th of June 2018 

at Onassis Cultural Centre (OCC) 

Deadline for applications: May 21th 

Call for photographers and 

visual artists, who use the photographic medium 

Get the opportunity to boost your career! 

http://www.transeuropephoto.eu

The 10 works that will be selected from Athens Portfolio Review, with another 20 from Helsinki and Madrid, 30 in total, will 

have the opportunity to participate from one to all three group exhibitions: in PHotoEspaña, The Finnish Museum of Photography and PhotoForum Greece in 2019. 

➢ be published in the Transeurope official magazine. 

show your audiovisual projection in PHotoEspaña (Madrid) and visit Unseen (Amsterdam) in 2018. 

➢ become part of FUTURES . 

70 selected photographers / 21 portfolio reviewers 

OCC _ venue address: 107-109, Syngrou Avenue, 117 45 Athens, Greece 

Pre-registration cost: 20 euros 

Before making the inscription, read How to participate Participation cost: 80 euros _ only the 70 participants who will be selected to take part in the portfolio reviews 

Frequently Asked Questions: 

1/Each selected photographer will have 8 meetings: 4 of its preference and the other 4 will be chosen randomly 

2/ The photographers have to submit at the TransEurope Webplatform, http://www.transeuropephoto.eu (after paying the pre-registration cost of 20euros and creating a user’s account) one series of work of 15 photos the most. 

We recommend you submit one series of work. 

However, you may submit two series, but in total the photographs can not be more than 15. 

3/ The pre-registration cost of 20euros can be paid with the following ways: 

i/ by paypal account (webplatform) 

ii/ by credit card (webplatform) 

iii/bank transfer. If you choose this way, please email us to send you the details of the TransEurope Bank Account. 

Georgia Gkini M. 0030 6977 64 11 48 / Info: athens@transeuropephoto.eu 

LIST OF CONFIRMED PORTFOLIO REVIEWERS: 

Matteo Balduzzi, Curator at the Museum of Contemporary Photography (MuFoCO) in Milan, Founding Member of CAREOF _ Milan, Italy 

Sophie Bernard, Journalist at La Gazette de Drouot, Teacher, Independent Curator _ Paris, France 

Jim Casper, Editor-in-Chief and Co-founder of LensCulture _ Amsterdam, The Nederlands 

Paul di Felice, Co-editor and Co-publisher of Café Crème, Co-organizer of the European Month of Photography in Luxemburg, Vice-President of the Administration Board of Mudam, Senior Lecturer Faculté des Lettres, des Sciences Humaines, des Arts et des Sciences de l’Education Université du Luxemburg _ Luxemburg 

Loes Van Harrevelt, Chief conservator and curator of Collections at Nederlands Fotomuseum _ Rotterdam, The Netherlands 

Nathalie Herschdorfer, Curator, art historian (specializing in history of photography) and Director of Museum of Fine Arts _ Le Locle Switzerland 

Audrey Hoareau, Independent Curator, Assistant Director of the Lianzhou Museum of Photography in Chine and Co-founder of the Red Eye platform _ France 

Ioannis Karlopoulos, Creative Director, Creative Consultant in publishing group _ Athens, Greece 

Joy Mardini, Art Advisor _ Beirut, Lebanon 

Shoair Mavlian, Director of Photoworks and responsible for curating the Brighton Photo Biennial 2018 _ Brighton, UK 

Ana Morales, Director of Production and Programs of La Fábrica and responsible of Professional Programs in PhotoEspaña _ Madrid, Spain 

TransEurope Project Coordinator_ Project leader 

Nestan Nijaradze, Co-founder and artistic Director of the Tbilisi Photo Festival _ Tbilisi, Georgia 

Jelena Pašić, Curator, Writer and Art historian. Culture professional at Office for Photography_ Zagreb, Croatia 

Nissan N. Perez, Independent Consultant, Curator of Exhibitions and Publications, Photography historian, Director of the Moi Ver archive and co-founder of the KIPA photography award _ Mevaseret Zion, Israel 

Tiina Rauhala, Chief curator at the Finnish Museum, responsible for the museum gallery’s program for the emerging photographers, Co-founder of the Festival of Political Photography (PVF) 

TransEurope Project Coordinator _ Helsinki, Finland 

Theopisti Stylianou-Lambert, Associate Professor at the School of Fine and Applied Arts, and coordinator of its Visual Sociology and Museum Studies Lab, Member of the Board of Directors of the “International Association of Photography and Theory” (IAPT) _ Nicosia, Cyprus 

Ivana Tomanović, Curator of exhibitions and publications, Associate professor at the Academy of Arts, University of Novi Sad and Alpha University Belgrade _ Belgrade, Serbia 

Dimitris Tsoumplekas, Creative consultant for a publishing group, Artist, Professor at the Athens School of Fine Arts _ Athens, Greece 

Sandra Vitaljić, Artist, Educator and Artistic Advisor at Organ Vida Photography Association and Festival. Professor at the Cinematography Department of the Academy of Dramatic Art _ Zagreb, Croatia 

Transeurope is a new European platform addressed to emerging or mid-career, professional photographers and visual artists. The goal is to facilitate access to professional opportunities, to develop their skills via new tools and new media, as well as to create the conditions for greater transnational circulation of their works. The program starts with preparatory workshops, followed by three portfolio reviews and three group exhibitions accompanied with a publication in 2019. You can find all the information here 

TransEurope activities include: 

Web platform – http://www.transeuropephoto.eu 

14 preparatory training workshops in 2018 

Portfolio reviews: Helsinki (16-18.5), Madrid (4-5.6) and Athens (21-23.6) 

Three group exhibitions in 2019 

Magazine with 30 selected participants in 2019 

Keep track of all the activities and all the latest news by clicking here! 

TransEurope Portfolio Reviews Athens _ 21st – 23rd of June 2018 at 

Onassis Cultural Centre 

Venue address: 107-109, Syngrou Avenue, 117 45 Athens, Greece TRANSEUROPEPHOTO©2017