Tag Archives: Exhibition

PDF Guides for emerging photographers.

Free downloads, Courtesy of Bromide Books: three guides for emerging photographers. 

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Call for photo exhibition in Rotterdam. Deadline: Oct. 19, 2018

We call for entries from photographers and photographic artists with images that are dedicated to the theme

‘Winterreise’

This exhibition will be on view from November 14th until december 23th, 2018, in Galerie Sehnsucht. Jury this time, will be the gallerists themselves. It will show their own selection from the works that were submitted in the call. The deadline for the call is october 19th 24.00 hours 2018.

Since this call is for the last exhibition in the dark months of 2018 we have a challenging and exciting theme: Winterreise. Winter is a time of cosiness and warmth at home, and beautiful white landscapes, but can also be the bitter time of harsh coldness, desolation and discomfort. Picturalists like Stieglitz captured winter as harmless beautiful frozen landscapes, but you   only have to think of the photos of Josef Koudelka, the paintings by Caspar David Friedrich or Schubert’s famous Winterreise to know that wintertime is not necessarily the happiest time of the year. Josef Koudelka photographed scared dogs in abandoned winter parks and isolated wanderers fighting the snow, just as Friedrich painted this kind of scenes 200 years earlier. Schubert’s hero sets of in a dark and freezing winter night, mocked by ravens, to rid of his lost love. But on the other hand, Martin Parr had great fun capturing people during winterholidays, Inge Morath photographed winter most idyllically, and Agnus McBean enjoyed himself with making fun christmas cards.

What we are looking for, is artistic photography showing the feeling of a Winterreise. Of course you can send in your best winter landscape photo’s. But we want the Winterreise-exhibition also to be a timeless show, dealing with various emotions, feelings and atmospheres. Images of (lost) loves, romance, grief and hurt, happiness and loneliness, comfort and security, coldness, nature and trees, ravens and stray dogs and yes, of winter. Get inspired by the great masters of photography, by the music with its strong visual imagery (if you’d like the full text you can read it here, or listen here), or freestyle and follow your own ideas on the theme.

What will you show us?
Your work can be anything from a straight photograph, to manipulated and even drawn Photoshop projects, from alternative 19th century photographic techniques to modern, computer made images, as long as it’s based on one or more photographic images (no drawings or paintings) and you can show us how it looks by sending us a digital file. Learn how to participate and send us your best work by clicking here.

 

 

W http://www.galeriesehnsucht.com

E info@galeriesehnsucht.com

A Vijverhofstraat 34, Rotterdam, NL
More information: http://www.galeriesehnsucht.com

KAUNAS PHOTO STAR Award. Deadline: April 4, 2018

On February 16, 2018, celebrating the centenary of the restored Independence of Lithuania, in collaboration with LensCulture, KAUNAS PHOTO festival launches an Open Call for its 15th edition, offering an array of opportunities for Photographers from inclusion to festival program, artistic residencies to the New KAUNAS PHOTO STAR Award, consisting of a solo exhibition at the largest photography gallery in the Baltic States, Kaunas Photography Gallery, and 2500 EUR monetary prize.

Kaunas Photo festival opening week – September 5-9, 2018.

Works accepted from February 16 to April 4, 2018, no extensions.

Group exhibition Call NYC, Deadline: Oct. 31, 2017

Open call for group exhibitions 2018-19

Application deadline: October 31, 2017

apexart
291 Church Street
New York, NY 10013
USA

www.apexart.org

apexart has been making people think for more than 20 years with innovative and unique approaches to programming. Fewer politics and more transparency resulting in more meritocratic and provocative exhibitions in NYC and around the world.

apexart exhibitions are selected from hundreds of anonymous proposals by an international jury of more than 200 people. Who you know doesn’t matter, the quality of your idea and how well you communicate it does. When an exhibition proposal is selected for apexart’s program season, it means that the idea is seen as compelling and worth developing by a large diverse jury that wants to see it transformed from a proposal into an exhibition.

apexart exhibitions feature works about everything, from anywhere, by anyone. If you follow what we do, you might discover something new or end up contributing to our programming.

In 2017, Animal Intent explored creature creativity, Promises to Keep presented performance art by women Pakistani artists, and Fellow Travelers explored the intersections of science fiction and migration narratives. apexart has also held exhibitions in places like Tarrafal, Cape Verde—examining histories of post-colonial prisons in Glimmer of Freedomand Tbilisi, Georgia—probing the legacy of Soviet Cosmonautics in Illegal Kosmonavtika.

apexart awards a budget of USD 10,000 to each selected exhibition and its related programming, and organizers receive a USD 2,000 honorarium for coordinating the project and writing the exhibition essay.

Proposals for group exhibitions in our NYC exhibition space will be accepted from October 1-31, 2017.

To learn more about how to submit your 500-word exhibition proposal, visit www.apexart.org/opencalls.php.

Paris Photo – Aperture F. PhotoBook Awards. D: Sept 15, 2017

Paris Photo is proud to announce the call for entries for the 2017 Paris Photo – Aperture Foundation Photobook Awards.

Submit your entries now through September 15th for the three prize categories: First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year. The First PhotoBook prize winner will receive $10,000.

The shortlisted books will be exhibited November 9-12, 2017 at Paris Photo and featured in The PhotoBook Review (published by Aperture Foundation) accompanied by the jury’s comments. The winners will be announced Friday, November 10, 2017 at the fair.

For more information and to submit entries, visit aperture.org/photobookawards.

Timeline

September 15, 2017, 12:00 noon EST, 4:00 p.m. UTC (books must physically arrive at Aperture in New York)

September 2017

Shortlist announcement
November, 2017
Winner announcement
December 9, 2017 – February 3, 2018
Exhibition

Categories

First PhotoBook

  • A book in which the dominant content is photography, featuring the work of one or more photographer/artist,* produced in physical form, and available for purchase or distributed free of charge, whether via trade distribution, print on demand, a gallery or online outlet, or otherwise. (“Virtual” or electronic books that exist only in digital form are not eligible for entry at this time.)
  • A book that is the first by the given photographer/artist is eligible for entry, whether a first self-published book, a first limited-edition book, a first gallery-published collection, a first book made available by print on demand, or a first book published by a publisher for release in the book trade. A first book published by an established publisher is eligible for entry even if the photographer/artist previously released a self-published book or a limited-edition book for distribution outside the trade. However, once a photographer/artist has had a book published by a mainstream publisher in the book trade, a subsequent book (whether self-published or not) is not eligible for entry
  • Books must be produced or published between September 1, 2016, and September 13, 2017. Books produced before September 13, 2017, but not due for release or publication until a later date in 2017, are also eligible.

PhotoBook of the Year

  • A book in which the dominant content is photography, whether authored by more than one photographer/artist* or authored by an editor, produced in physical form, and published in an edition of no less than one hundred copies.
  • Books must be produced or published between September 1, 2016, and September 13, 2017. Books produced before September 13, 2017, but not due for release or publication until a later date in 2017, are also eligible.
  • Entries for either award may only be submitted by the photographer/artist, the publisher, or a third party acting with the consent of the photographer/artist.

Photography Catalogue of the Year

  • An exhibition catalogue or museum publication in which the dominant content is photography. Catalogues can feature the work of one or more photographers/artists, should be produced in physical form, and available for purchase or distributed free of charge, whether via trade distribution, print on demand, a gallery or online outlet, or otherwise
  • Text-only publications are not eligible, however, catalogues can include extensive research, writing, and analysis—whether dedicated to the oeuvre of a single photographer, or an exploration of a collection based in photographic history and practice
  • Catalogues must be produced or published between September 1, 2016, and September 13, 2017. Catalogues produced before September 13, 2017, but not due for release or publication until a later date in 2017, are also eligible.

*Books by or featuring the work of more than one photographers/artists are eligible in all categories.

Juror information

The awards will be judged in two stages. An initial jury will meet in New York to select the shortlisted entries in both categories. The final winners will be decided by a separate jury that will meet in Paris immediately before Paris Photo begins. The initial jury will include representatives of both Paris Photo and Aperture Foundation, and the final jury will include neither.
Each award winner will be chosen from the juried shortlist, all of which will be exhibited at Paris Photo. The fall 2017 issue of The PhotoBook Review (published by Aperture Foundation) will feature all of the shortlisted books. Following their display during Paris Photo, an exhibition of the thirty shortlisted books will travel to Aperture Gallery in New York and may be exhibited at other venues.

Register at

https://aperture.picter.com/

Call for Curatorial Projects, Valencia, Spain. Deadline: Nov. 14, 2016.

——>English<——

V.O.

The Consortium of Valencian Museums has launched the first edition of “V.O.”
The purpose of this call is the selection of three projects, for exhibitions during the years 2017 and 2018 at the Centre del Carme of Valencia and other associated centers of Alicante and Castellon.

The projects submitted must address contemporary artistic creation and innovation in creative processes, promoting mobility of exhibition productions and different artistic disciplines. Open to individuals and collectives.

The overall budget for each project is 25,000 €, with € 3,000 reserved for the curator and and 3,300 € for the artist or artists or participants.

The deadline for submitting projects for V.O. ends on November 14, 2016.

——>Español<——
El Consorci de Museus de la Comunitat Valenciana ha puesto en marcha la primera edición de su convocatoria V.O. dirigida a comisarios. Entre los objetivos que persigue el Consorci de Museus está el de contribuir al dinamismo del contexto artístico en la Comunitat Valenciana. Una de sus actuaciones concretas en este ámbito es el apoyo a comisarios y comisarias para dar a conocer propuestas innovadoras en el campo de las artes visuales, así como apoyar su desarrollo en el terreno profesional. El objetivo de esta convocatoria es la selección de tres proyectos de comisariado de carácter inédito para la realización de exposiciones durante los años 2017 y 2018 en el Centre del Carme de Valencia y en otros centros consorciados de Alicante y Castellón.

Los proyectos que se presenten deben abordar la creación artística contemporánea y la innovación en los procesos creativos, promoviendo la movilidad de las producciones expositivas  y las diferentes disciplinas artísticas. Puede optar a la convocatoria cualquier persona, a título individual o colectivo.

La dotación económica para cada uno de los proyectos es de 25.000 €, donde se incluyen los honorarios de 3.000 € para comisariado y 3.300 € para el o la artista o artistas participantes.

El plazo para presentar proyectos para V.O. finaliza el 14 de noviembre de 2016.

Bases V.O.
http://www.consorciomuseos.gva.es

Smack Mellon Call for emerging curators. Deadline: Sept. 1, 2016

Proposals are accepted annually from Emerging Curators for the Emerging Artists Summer Exhibition. The Emerging Artists Summer Exhibition will be curated by a selected Emerging Curator and will be made up of Emerging Artists. An Emerging Curator is defined as an independent curator who is beginning their career as a curator. Proposal must show history of at least 3 prior curatorial projects successfully presented to a public audience.

The selected curator’s exhibition theme will be announced in the open call process for the emerging artists program. The theme should be relevant to political, social or environmental issues. Curators must select 50% of their artists from the pool of emerging artists. The exhibitions must include at least 60% women artists, as part of Smack Mellon’s mission to support women artists.

Smack Mellon provides curators a stipend and a budget for artists’ stipends. The curator is encouraged to stop by the gallery during gallery hours to look at the space in order to tailor their proposal to the space.

Smack Mellon can provide audio and visual equipment such as projectors and flat screen monitors as well as technical support for installing complex projects.

The curator should realize that we expect a hands-on approach at the gallery. The curator is expected to be in NYC to review all submissions. The curator is expected to be at the gallery throughout the installation and the curator and artists involved in the exhibition are responsible for the execution and installation of the artwork. The curator should clarify to all artists when invited to participate that they are responsible for delivering their work to the gallery, installing and de-installing their work. Smack Mellon does not have a full time staff of preparators. Smack Mellon will hire an installer for 2 days to help with general installation. Smack Mellon gallery staff can assist in installation of work requiring a lift or special mounting. Our gallery staff may also assist artists with installation of other complicated projects but will not be involved in helping the artist to build their work on site. Our technical staff will install all of the equipment (projectors, monitors etc.) belonging to Smack Mellon. It will be the artist’s responsibility to install and maintain any equipment that belongs to the artist.

Specifics about the installation of artwork and about the equipment that Smack Mellon is able to provide will be discussed after the initial proposal has been reviewed and accepted as a proposal under consideration.

Curators do not have to propose a completed show but must submit the following:

______________________

1. Documentation of past exhibitions
(Up to 20 still images and/or a maximum of 3 three-minute videos of past exhibitions.)

2. Resume

3. Curator’s Statement about past exhibitions

4. Curatorial Proposal for new exhibition
(A list of artists under consideration can also be included.)

5. Work Samples
(Curators should also include images of the artists’ work to be included in the exhibition. If new work will be created for the exhibition, send images of their past work. A maximum of 20 still images can be submitted. )

_________________

TO BEGIN THE APPLICATION PROCESS

https://smackmellon.submittable.com/submit/e60ea1cc-58fb-49db-99f0-4d572885d5de

(You are not required to finish your application in one session.)

http://smackmellon.org/