Tag Archives: Research

Several research fellowships in the NY Historical Society. Deadline: Jan. 13, 2017

THE NEW-YORK HISTORICAL SOCIETY, founded in 1804, holds a distinguished collection of books, manuscripts, photographs, graphic materials, decorative objects, historical artifacts, and works of art.

The Patricia D. Klingenstein Library at the New-York Historical Society is home to more than 350,000 books, three million manuscripts, and distinctive collections of maps, photographs, and prints, as well as ephemera and family papers documenting the history of the United States from a distinctly New York perspective. New-York Historical’s collections are particularly rich in material pertaining to the American Revolution and early Republic, the Civil War, and the Gilded Age. Significant holdings relate to Robert Livingston and the Livingston family, Rufus King, Horatio Gates, Albert Gallatin, Cadwallader Colden, Robert Fulton, Richard Varick, and many other notable individuals. Also well documented within the Library’s collections are major social movements in American history, especially abolitionism, temperance, and social welfare. The Library’s visual archives include some of the earliest photographs of New York, a significant collection of Civil War images, and the archives of major architectural firms of the later 19th century. Among the more than 1.6 million works comprising the Museum’s art collections are all 435 preparatory watercolors for John James Audubon’s Birds of America, a preeminent collection of Hudson River School landscapes; and an exceptional collection of decorative and fine arts spanning four centuries.

The New-York Historical Society offers a rich research environment that promotes an active intellectual community. Fellows are encouraged to explore the collections and take advantage of the full scope of the Library and Museum’s resources and to share their research during their tenure through informal talks and blog posts. Educational outreach and public programs further support New-York Historical’s intellectual mission to explore the richly layered political, cultural, and social history of New York and the nation, as well as the making and the meaning of history.

The New-York Historical Society offers several long- and short-term fellowships during the academic year. Designed to encourage and promote the use of the institution’s diverse collections of primary and secondary sources, the fellowships are open to scholars at various times during their academic careers.

The application deadline for all fellowships is January 13, 2017.

Learn More >

Andrew W. Mellon Foundation Postdoctoral Fellowship in Women’s History
Hired for a two-year term, one postdoctoral fellow will work as a public historian and intellectual coordinator for the New-York Historical Society’s Center for Women’s History. The ideal candidate will have a strong scholarly interest in women’s history and some experience in public history. The fellow will participate in developing programming and be deputized to operate certain projects independently. Applicants for the Mellon Postdoctoral Fellowship must have the PhD in hand by the time of appointment. The postdoctoral fellow will be in residence as a full-time staff member with a stipend of $50,000 per year with full benefits. This fellowship lasts from September 1, 2017 until August 30, 2019.

Bernard and Irene Schwartz Fellowships
Offered jointly with the Eugene Lang College of Liberal Arts at The New School, two Bernard and Irene Schwartz Fellowships are open to scholars who will have completed their PhD in history or American studies before the end of the 2016-2017 academic year. Fellows will teach one course per semester at Eugene Lang College in addition to conducting focused research in residence at the New-York Historical Society. These fellows carry a stipend of $60,000, plus benefits. The fellowship lasts from September 1, 2017 until June 29, 2018.

Patricia and John Klingenstein Short-Term Fellowships
Two or more Patricia and John Klingenstein Short-Term Fellowships will be awarded to scholars at any academic level. Fellows will conduct research in the New-York Historical Society’s library collections for two to four weeks at a time, and will receive a stipend of $1,500 to $2,000. These fellowships last from September 1, 2017 until June 29, 2018.
Andrew W. Mellon Foundation Predoctoral Fellowships in Women’s History
The two recipients of the Andrew W. Mellon Foundation Predoctoral Fellowship in Women’s History should have a strong interest in the fields of women’s history and public history. They must be currently enrolled students in good standing in a relevant PhD program in the humanities. The Predoctoral Fellows will be in residence part time at the New-York Historical Society for one academic year, between September 1, 2017 and June 29, 2018, with a stipend of $15,000 per year. This position is not full time and will not receive full benefits.

National Endowment for the Humanities Fellowship
One fellowship for the length of a single academic year is supported by the National Endowment for the Humanities for research at the New-York Historical Society. The fellowship is available to individuals who have completed their formal professional training and have a strong record of accomplishment within their field. There is no restriction relating to age or academic status of applicants. Foreign nationals are eligible to apply if they have lived in the United States for at least three years immediately preceding the application deadline. The ten-month residency will carry a stipend of $42,000, plus benefits. This fellowship lasts from September 1, 2017 until June 29, 2018.

Andrew W. Mellon Foundation Fellowships
Two Andrew W. Mellon Foundation Fellowships will be awarded to candidates who have earned their PhD in the last three to five years. Research projects may include the conversion of a dissertation into a publishable manuscript or the initiation of new research based on the collections and resources of the New-York Historical Society. This ten-month residency will carry a stipend of $60,000, plus benefits. The fellowship lasts from September 1, 2017 until June 29, 2018.

New-York Historical Society
170 Central Park West
at Richard Gilder Way (77th St)
New York, NY 10024

 

http://www.nyhistory.org/library/fellowships

 

DGPh HISTORY OF PHOTOGRAPHY RESEARCH AWARD. DEADLINE: SEP. 30, 2016

Call for Applications
2016 DGPh History of Photography Research Award

Since 1978, the History and Archives section of the German Photographic Society (Deutsche Gesellschaft für Photographie, DGPh) recognises scientific research in the history and theory of photography.

The DGPh History of Photography Research Award 2016 will be open for all elements of research into photography’s many aspects. Besides aspects of traditional history and theory of photography, topics will be considered that deal with photography’s social meaning, or the impact that the medium has had on society. The applicant’s work should represent an autonomous, innovative, and original contribution to these areas. The award is open to researchers from all fields.

Applications and manuscripts for the DGPh History of Photography Research Award may be submitted in either English or German. Applications should consist of a published or unpublished manuscript produced during the last two years before the deadline. Project outlines, or yet unfinished manuscripts etc. will not be accepted.

Allocation will be the decision of an expert jury. The jury will publish its reasons to reward the winning entry. The jury consists of the chairpersons of the History and Archives section of the DGPh, the previous prize winner plus one or a group of invited councellor(s).

The award is endowed with a total of 3,000 Euro. The jury holds the right to split the prize between two applicants in equal parts. The award will be handed over at a public event organized by the DGPh.

Submission requirements are the following pdf-files:

– A complete manuscript as electronic file form
– An abstract of the submitted work (approx. 300-500 words)
– A curriculum vitae (résumé)
– A list of publications.

The final date for submissions is the 30rd of September, 2016.

Submissions should be send online under:

http://www.dgph.de/sektionen/geschichte_archive/ausschreibung-dgphforschungspreis-fuer-photographiegeschichte-2016

More information about the German Photographic Society: www.dgph.de

Research residency in Sapporo (Japan). Deadline: July 3, 2016

S-AIR in association with Curators’ Network is offering a fully funded residency opportunity for curators in Sapporo, Japan, from August 9 – September 13, 2016 (maximum stay 30 days, minimum 20 days).

The call is free of charge. Deadline for the submission of applications is July 3, 2016, midnight, Madrid, CEST timezone.

The successful candidate is expected to research and write around the local art scene of Sapporo, to learn about Japan and to establish networks and dialogues between local and international artists.

  • The call is open for curators who work with all kinds of disciplines within the context of contemporary visual and fine arts. There is no age limit. Applicants should neither hold Japanese nationality nor reside in Japan, and should be able to exercise a degree of autonomy and self-reliance.
  • The call seeks especially for professionals who work with a high level of excellence, but do not yet have a consolidated international career, as one of the primary goals of Curators’ Network is to promote art-professionals who are still not well known in a larger international context.
  • Applicants should have at least a moderate level of spoken English or Japanese, and should feel comfortable engaging in discussions in one of these two languages.
  • Applying curators should thoroughly research about S-AIR and Curators’ Network and submit a proposal demonstrating in which line(s) they would like to research whilst in Sapporo.

Dates, deadlines

Deadline: Applications should be submitted online NOT LATER THAN Sunday July 3, 2016 at Midnight [Madrid, CEST].

Selection: The resident will be chosen on the basis of the submitted applications. A shortlist will be made by a jury of the management board of Curators’ Network. The final selection will be made by the selection committee at S-AIR.

Notification: The successful candidate will be notified byWednesday, July 13, 2016.

Residency: Up to 30 days between August 9 and September 13, 2016. The applicants can propose their preferred time frame, the minimum stay is 20 days. The final dates for arrival and departure to and from Japan to be agreed between S-AIR and the resident.

Information and applications here.

Two research residencies in Barcelona. Deadline: July 15, 2016

Encura research residency 2016/17

Call for two fully funded research residencies

Hangar Barcelona in association with Curators’ Network is offering two fully-funded one-month-residencies in Barcelona, Spain. They will take place from November 14, 2016 – December 18, 2016 and from January 18, 2017 – February 19, 2017.
Application form

http://www.hablarenarte.com/convocatorias/convocatoria/encura2/

The call is free of charge and open to all curators and researchers who currently do not live and work in Catalonia. Deadline for the submission of applications is July 15, 2016, midnight, Spanish time, CEST time zone.

The successful candidates will have the opportunity to work with the artist residents at Hangar Barcelona. They will also have the occasion to research the wider artistic context of Barcelona and Catalonia as well as to establish networks and dialogues with other local and international cultural agents.

Applicants should submit a proposal that fits into the general lines of work of Hangar and Curators’ Network. This proposal should also foresee a collaboration with at least four of the current artist residents of Hangar as well as a presentation of the outcomes in a format other than a classical exhibition.

The selected candidates are expected to realize the suggested project during the residency.
Conditions

Hangar will provide the following for each residency:

In and outbound travel (up to 300 €)
Honorary (1185 € before taxes)
Accommodation (own bedroom in a four-room house located at Hangar residency space)
A working space and internet connection (Please bring your own laptop as no computer will be provided)
A production budget of 400 € per artist (1600 € overall) which will be collectively defined among resident, artists and Hangar production team.
Technical assistance for the activities that the candidates will undertake during their residency.

Curators’ Network will provide the following:

the two successful candidates will get a permanent profile and presentation space at Curators’ Network Database
the blog of the residents will be hosted through the art-spy section of Curators’ Network
the online presentation of the projects of the residents will be hosted and promoted through http://www.curators-network.eu

The successful candidates are required to arrange for their own visa and insurance in advance.

About Hangar

Hangar is a centre for art research and production located in Barcelona, Spain. Hangar’s mission is to support visual artists and other cultural agents during the different moments of their art production processes as well as to contribute to the best development of their projects. Hangar facilitates equipment, facilities, production assistance and a suitable context for free experimentation and knowledge transfer. Hangar is located in the Poblenou neighborhood in Barcelona and in a mid 19th Century that was originally designed for the textile industry. At present, and after the centre was extended to the adjacent warehouses, the buildings used by Hangar cover a total surface of 2,600 m2.

Curatorial research grants (Paris, France). Deadline: Aug. 31, 2015

The Centre national des arts plastiques (National Centre of Visual Arts, CNAP) is awarding two curatorial research grants in 2015. The purpose of these grants is to enable two curators to develop a research project around the CNAP collection over the course of a three month residency in Paris.

The Fonds national d’art contemporain is France’s state-owned collection of modern and contemporary art. Works have been acquired from living artists for more than 220 years. The collection has been expanded through purchases, gifts and commissions and currently holds over 95,000 works.

The CNAP manages and displays this collection. It also plays an active role in its constitution. Works are acquired not to form a collection in the museum sense, around a single historical period or theme. The purpose is instead to assemble a collection that is representative of contemporary creation in all its forms, and constitutes a narrative for our era.

The CNAP expresses the diversity of artistic practices today, across generations and nationalities. It seeks out and supports young artists, as well as adding to groups of works by established artists and creators through the acquisition of recent productions.

The collection is divided into chronological sections—historical (1791–1904), modern (1905–1960) and contemporary (post-1961)—and categorized by media (in particular, graphic art and post-1980 video and photography).

The collection is unique in Europe for its size and scope. It opens important possibilities to experiment with new curatorial strategies and to envisage the collection from its most experimental dimension, from its earliest to its most contemporary elements.

The grant invites candidates to conduct research on contemporary issues during a three month residency at the CNAP. Projects must demonstrate an experimental and innovative aspect. They can focus on a period, a geographic region or, alternatively, take an interdisciplinary approach. Projects will be judged for their originality and novel curatorial approach.

Selected candidates will be encouraged to work with the CNAP’s team, and will be given the opportunity to explore all available documentary resources.

At the end of the residency, candidates are invited to present the outcome of their research. This can be a publication, a symposium, lectures, workshops, an exhibition or take any other physical or virtual form. These outcomes will be the subject of exchanges with the CNAP’s team and receive specific funding.

Application requirements and conditions
The call for projects is open to anyone with experience as a curator.
The successful candidates will each receive a grant of 9,000 EUR covering travel, accommodation and living expenses.

Candidates will implement their project over three months, between October 2015 and March 2016, as a consecutive period or in several sessions, as agreed with the CNAP teams.

Groups can submit a project but only one grant will be awarded.

Projects must be original and have never been previously published or produced.

The majority of documentation will be in French. Candidates must therefore be fluent in French. Selected candidates will be auditioned around mid-September by a jury comprising members of the CNAP scientific team and specialists in the fields of art and research.

Application documents
Candidates are invited to submit their project by post to the following address:

Bourse Curatoriale–Appel à Projet 2015
Centre national des arts plastiques
1 Place de la Pyramide
Tour Atlantique
92911 Paris La Défense
France

Applications must include:
–an outline of the project and the body of works involved (15,000 characters)
–a planned timetable
–a curriculum vitae presenting training, research and professional experience
–a representative selection of projects in the proposed field of research

The closing date for applications is August 31, 2015.

For any further information, please write to: bourse-curatoriale.cnap@culture.gouv.fr

Six international research residencies in Madrid for this fall. Deadline: June 28, 2013

Sweet Home: Research residencies in Madrid (English version, versión en español abajo)

International Open Call until Friday, June 28, 2013
hablarenarte: and FelipaManuela are launching “Sweet Home,” a research residencies program in Madrid for international artists and cultural agents.

We are seeking for artists, curators, managers or other cultural agents, who do not live or work in Spain, wanting to research in Madrid. Each residency will have a duration of two weeks, between September and December 2013, in one of the six private homes of the cultural agents selected in a previous local call.

Each host will provide accommodation for the guest, and will introduce the international cultural agent in his/her closest artistic context. The program covers the cost of accommodation. The resident guest should assume his/her travel and subsistence expenses during these two weeks.

The call is open to all culture professionals that do not live or work in Spain. There is no age limit and participation is free of charge. Proposals that adequately fit the profile of the hosts will be highly considered. To ensure this aim, the six local hosts will be part of the jury in this second call. The six residencies will be held between September 1 and December 31, 2013.

To apply for one of the six residencies, complete the downloadable form, that you can find on the web site of hablarenarte: and send it to info@hablarenarte.com before Friday June 28, 2013.


Sweet Home: residencias de investigación artística en Madrid (versión en español, English version above)

Convocatoria internacional abierta hasta el viernes 28 de junio de 2013

hablarenarte: y FelipaManuela ponen en marcha el programa Sweet Home: residencias de investigación artística en Madrid.

Se abre ahora la convocatoria internacional para elegir a artistas, comisarios, gestores u otros agentes no residentes en España que quieran realizar una investigación artística en Madrid. Cada residencia se realizará durante dos semanas, entre septiembre y diciembre de 2013, en una de las seis casas privadas de los agentes culturales que fueron seleccionados en una primera convocatoria local.

Cada anfitrión ofrecerá, además del alojamiento en el cuarto de invitados, la posibilidad de introducir al residente internacional en el tejido cultural de su contexto más cercano. El programa cubre los costes de alojamiento, por lo que el residente invitado deberá asumir sus gastos de viaje y manutención durante estas dos semanas.

La convocatoria está abierta a todos los profesionales que trabajen en cultura y que no vivan en España. No hay límite de edad y la participación es gratuita. Tendrán prioridad aquellas propuestas que encajen más adecuadamente con el perfil de los hospedadores. Para garantizar este objetivo, los seis anfitriones formarán parte, a su vez, del jurado de esta segunda convocatoria. Las seis residencias se realizarán entre el 1 de septiembre y el 31 de diciembre de 2013.

Para solicitar una de las seis residencias, hay que rellenar el formulario descargable de la web de hablarenarte: y remitirlo a info@hablarenarte.com antes del viernes 28 de junio de 2013.

Two Calls for Papers on photography. Deadlines: Nov. 12 and Dec 10, 2012

First Call for Papers: 39th Annual AAH Conference, University of Reading

Deadline: Nov 12, 2012

CALL FOR PAPERS:
Photography and the Histories of Sculpture:
What role has photography played in forming sculpture’s place in art history?
39th Annual AAH conference and bookfair
University of Reading, 11 – 13 April 2013
Conveners: Henry Moore Institute (Lisa Le Feuvre and Jon Wood)

This session asks: what role has photography played in forming
sculpture’s place in art history? Working across disciplines and
histories of sculpture, exhibition making, museum studies and
photography, this session discusses the formation of art historical
narratives, seeking to unpack past narratives and ask questions of how
future narratives might be constructed. Addressing the role photographs
and their producers have played in articulating sculptures’ meanings
and histories, this session invites papers that take stock of the
impact of photography on the histories of sculpture and its shaping of
understandings of ‘sculpture’ by: communicating exhibitions,
collections and works; distributing, interpreting and fictionalising
sculpture; developing art historical analyses and positions; enabling
research of sculpture.

This session is also interested in analysing the photography of
sculpture as a subject of exhibitions and publications, as seen, for
example, in the exhibitions Close Encounters: The Sculptor’s Studio in
the Age of the Camera (Henry Moore Institute, 2000) and The Original
Copy (MOMA, 2010). Likewise, the artistic treatments of sculpture
through photography are pertinent to the relationship between sculpture
and photography; these changing relations have ramifications for our
developing art historical grasp of sculpture, as it becomes analysed as
much through its representation as through its direct encounter. This
session strives to be trans-historical, inviting papers from academics,
artists, curators and writers addressing early photography as much as
recent experiments.

We invite proposals for 25 minute conference papers. Please submit a
250 word abstract and short CV to Kirstie Gregory (Research Programme
Assistant) kirstie@henry-moore.org

Deadline for submissions is Monday 12 November 2012.  For more details
visit our Research pages on http://www.henry-moore.org/hmi

———————-

Second Call for Papers: The Reflexive Photographer

Deadline: Dec 10, 2012

CALL FOR PAPERS
THE REFLEXIVE PHOTOGRAPHER

Edited by Rosie Miller, Jonathan Carson and Theresa Wilkie
(School of Art & Design, University of Salford, UK)

We invite international submissions to be included in this forthcoming
book, to be published by MuseumsEtc (www.museumsetc.com) in 2013.

Submissions
Proposals are welcomed from writers, academics, photographers,
curators, artists and other visual practitioners.

This book will bring together the varied ways in which reflexivity
manifests itself within photography and the photograph.  In this
instance we are taking a broad approach to the term (as evidenced in
the suggestions below), where ‘reflexivity’ is used to describe:

–    The  methods and dialogues that practitioners use to interrogate
their own work; and,
–    The manner in which these devices enable the photographer to
engage in an exchange with the work of others and with the world around
them.

We are seeking chapters that deal with a wide range of issues in
relation to the principle of the reflexive photographer. This could
encompass – but is not limited to – conceptual, cultural, historical
and visual concerns relating to:

•    The historical perspectives of reflexivity
•    The photographer making visual work that is reflexive
•    The photographer writing about and reflecting on their own work
•    The use or affect that the materials of photography (the lens, the
camera, etc.) have on reflexivity
•    The photographer using notebooks and sketchbooks (or equivalent)
as a reflexive tool
•    The use or affect that different types of editing have on
reflexivity
•    The photographer writing about the work of others as a reflexive
tool
•    The analysis of seminal texts from key photographers
•    The interview as a means to reveal reflexivity
•    The examination of reflexivity where more than one practitioner is
at work
•    The use of the photograph as a form of life writing
•    The use of reflexivity in the context of photography in the
digital sphere

Additionally, we are interested in examining different formats for
reflexivity:

•    The book
•    Correspondence
•    The manifesto
•    The blog
•    The diary
•    The travelogue
•    The exhibition
•    Exhibition commentary, interpretation and/or the exhibition
catalogue
•    The photo collective or group

This list is not exhaustive and we welcome proposals on other themes.

Submitting a proposal
If you are interested in being considered as a contributor, please
submit a proposal (using Microsoft Word) of between 300-500 words with
a short biography and CV (which, combined, must not exceed two sides of
paper).

The deadline for submissions is 10 December 2012. Please email your
proposal to books@museumsetc.com. If you have any queries please email
Rosie Miller at r.miller@salford.ac.uk.

Should your proposal be accepted the length of a chapter will be
2000-6000 words or, if you are proposing a visual work, you will have
between 6-8 pages. Please prepare your proposal with these parameters
in mind. The work should not have been published elsewhere.

The book will be published in print and digital editions by MuseumsEtc
in 2013. Contributors will receive a complimentary copy of the
publication and a discount on more.

The Editors
Rosie Miller is a Lecturer and Critical & Contextual Studies Area
Leader in the School of Art & Design, University of Salford, UK.
Jonathan Carson is Associate Head (Academic) and Senior Lecturer in
Critical & Contextual Studies in the School of Art & Design, University
of Salford, UK. Theresa Wilkie is Director of Design & Culture and
Senior Lecturer in Critical & Contextual Studies in the School of Art &
Design, University of Salford, UK. All three previously edited
Photography and the Artist’s Book (MuseumsEtc, 2012).

Deadline
ABSTRACTS DUE: 10 DECEMBER 2012