ITINERANT Performance Art Festival NYC, Deadline May 4

Call for artists, ITINERANT Performance Art Festival NYC, deadline May 4

 

ITINERANT

May 20-25, 2019

* Queens Museum, * Last Frontier NYC, * Grace Exhibition Space, * La Guardia Community College (Symposium), * Bronx Academy of Arts and Dance, BAAD * Smack Mellon, * Flushing Meadows Corona Park.

 

ITINERANT, the annual Performance Art Festival NYC, invites artists to submit works for consideration in its 9th edition to take place May 20 – 25, 2019 at various venues in the five boroughs in New York City.  ITINERANT 2019 will also include a video showcase, and the one day symposium “Interlaced.”

 

This year’s festival will focus on works that explore, treat, propose, and consider somatic (re)constructions and (re)presentations regarding gender, nationality, identity, and civil status. Departing from the current socio/politico/economic transformations around the globe, ITINERANT encourages artists to send their proposals for consideration in the festival’s 2019 edition. Artists working in contemporary performance art, visual performance art, transmedia performance (sound, video and emerging technologies), movement based performative practices, and video performance are encouraged to apply.

 

The festival will take place at various venues in the five boroughs in New York City. Artist considering to apply don’t have to specify a particular location, and are not required to participate in all hosting institutions. ITINERANT will select and coordinate schedules according to the program’s vision, nature of proposed performance(s) and the space.

 

GUIDELINES:

* Online Deadline is Saturday, May 4th, Midnight.

* Performances can be up to 30 minutes in duration.

* Durational performances can be 2-3 hours minimum.

* Artists can submit up to 2 new works for consideration.

* Single or collaborative projects are accepted.

 

SUBMISSION MATERIALS:

* To help facilitate the selection process, please follow guidelines carefully by including all requested information. Selected artists will be contacted through email.

 

* Complete the Application Form ( https://docs.google.com/forms/d/e/1FAIpQLSeqFFI3_K6ghQ2d3wQ8X6iixnkyWoDnlQKPgGe_3NZxsYvvKw/viewform?fbclid=IwAR0jO-63MV9dopeXYKehvFooABj4nSaICrnTSXiTa7maNeg2et34ZabTHBM ).

 

* Email up to 5 images (JPG Format) + Image List (Title, year, and credits of the image) through the online Application Form

 

PROCESSING FEE:

$15.00 PAYPAL your contribution (registration donation) helps cover some of the administrative costs of the festival.

 

About the festival:

ITINERANT was created in 2010 by interdisciplinary artist Hector Canonge. The initiative was a small platform for Contemporary Performance Art, and had its origins in the monthly series A-Lab Forum that Canonge organized at Crossing Art Gallery in Flushing, Queens. Following the growing interest in Live Art, and the need to present performance programs in the borough, ITINERANT was launched in 2011 under the auspices of QMAD, Queens Media Arts Development. In 2012, ITINERANT was recognized by the City of New York as the first Performance Art festival taking place in the five boroughs (Queens, Manhattan, Bronx, Brooklyn and Staten Island) that make the metropolitan region. Following the large scale venture in NYC, Canonge journeyed through Europe and Latin America creating, in 2013, the Spanish edition of the festival and calling it Encuentro ITINERANTe with public presentations in various cities in the Southern Hemisphere. In 2015 the festival featured 30 artists from over ten countries with presentations at the Queens Museum, Bronx Museum of the Arts, Momenta Art, Glasshouse ArtLifeLab with Public Interventions at 37th Rd. Pedestrian Plaza, and at Manuel de Dios Unanue Triangle Plaza, in Queens, NYC.

 

The latest edition of the festival took place in 2018 with the participation of local, national and international artists whose works were featured at the Queens Museum, Bronx Museum of the Arts, and the performance art venues: The Last Frontier, Grace Exhibition Space, and Panoply Performance Laboratory. The festival’s closing event was marked by public performances at the historical landmark of Flushing Meadows Corona Park, site of the 1939 and 1969 World’s Fairs.

Please note that as an independent artist-run initiative, ITINERANT is not able to pay honorarium, reimburse the cost of travel and/or accommodations or any related expenses. However, the festival provides “capital-intrincic value” by giving artists unparalleled visibility and exposure by fostering the production and presentation of works in important venues in the United States, Europe and Latin America.

 

Contact: itinerant.paf@gmail.com

Website: http://www.hectorcanonge.net/itinerant

Facebook: https://www.facebook.com/itinerantpaf

 

Curators’ Meeting, Arles. Deadline: May 13, 2019

CALL FOR APPLICATIONS

For the first time, the Rencontres d’Arles and the French Ministry of Culture are launching a professional matinée open to all curators.

Thursday July 4, 2019 at 9 am

TEMPLE ARLES BOOKS

Deadline for submitting projects:

May 13, 2019

> APPLICATION MUST BE FILLED ONLINE HERE <

DETAILS

The Curators’ meeting is intended for institutions and curators wishing to present a new exhibition project involving the image or photography to a professional public. The event aims to encourage the production or coproduction of the projects presented.

An institution, cultural organization, collective or freelance curator may submit the project.

The Ministry of Culture, Temple Arles Books and the Rencontres d’Arles will select around 10 projects, which will be presented to an audience of professionals. The project’s organizer will make a brief (10 minutes) presentation in English or French. A luncheon will follow the meeting.

If you would like to attend the event, please send an e-mail to: curatorsmeeting@rencontres-arles.com

If you have any questions or encounter difficulty logging on, filling out the online application or downloading the documents, please write to: curatorsmeeting@rencontres-arles.com


APPEL À CANDIDATURES

Les Rencontres d’Arles et le ministère de la Culture lancent pour la première fois une matinée dédiée aux professionnels et proposent un Curators’ meeting ouvert à tous les commissaires d’exposition.

Jeudi 4 juillet 2019 à 9h

TEMPLE ARLES BOOKS

Date limite de dépôt des projets :
13 mai 2019
13 mai 2019

> DOSSIER DE CANDIDATURE À REMPLIR ICI <

MODALITÉS DE PARTICIPATION

Le Curators’ meeting s’adresse aux institutions et commissaires souhaitant présenter à un public professionnel un projet inédit d’exposition en lien avec l’image ou la photographie. Cet événement vise à encourager la production ou la coproduction des projets présentés.

Le projet peut être porté par une institution ou une structure culturelle, un collectif ou un commissaire d’exposition indépendant.

Une dizaine de projets seront sélectionnés par le ministère de la Culture, Temple Arles Books et les Rencontres d’Arles, et présentés devant un auditoire de professionnels. Chaque projet d’exposition donnera lieu à une présentation brève (10 minutes) en anglais ou en français par son organisateur. La rencontre sera suivie d’un déjeuner.

Si vous souhaitez assister à la présentation des projets, confirmez votre inscription en envoyant un mail à l’adresse : curatorsmeeting@rencontres-arles.com

Si vous avez des questions ou si vous rencontrez des difficultés à vous connecter, remplir le dossier en ligne ou télécharger les documents, nous vous remercions d’écrire à : curatorsmeeting@rencontres-arles.com

Athens Photo Festival Call. Deadline: April 10, 2019

DEADLINE EXTENDED TO APRIL 10

Last Chance to Submit to the Athens Photo Festival 2019

Athens Photo Festival 2019 is accepting submissions for its exhibition program. The selected works will be exhibited from 6 June to 28 July 2019, at the Benaki Museum / Pireos 138, one of the most prestigious museums in Greece.The Festival seeks to bring together emerging as well as established artists and photographers with the aim to reflect the diversity of photography and visual culture today. Through its expanded programming, Athens Photo Festival is committed to offering a dynamic platform for exchange of ideas, artistic expression and engagement with photography in all its forms.

The Exhibition Program will feature works by over 100 artists from around the world, selected through this international call for proposals. The call is open to all the image-based genres, ranging from fine art and conceptual to documentary and photojournalism, installations, interactive and multimedia works. The Festival also welcomes submissions for its Photobook Show.

The deadline to submit your work to the Athens Photo Festival has been extended until Wednesday April 10.

https://www.photofestival.gr

ARAB DOCUMENTARY PHOTOGRAPHY PROGRAMME. DEADLINE: MAY 1, 2019

Through a partnership with the Arab Fund for Art and Culture, together with the Magnum Foundation, we launched the Arab Documentary Photography Program (ADPP) in 2014. ADPP supports creative documentary photographers in the Arab region. A jurors’ committee comprised of Arab and international experts will select up to 10 grantees to receive financial and professional support to complete their proposed photography projects.

The focus of the Arab Documentary Photography Programme is to support compelling non-stereotypical and unconventional visual documentation of important social issues and narratives relevant to the Arab region. In recognition to the image’s power to document, educate and advocate, the ADPP will also explore ways by which documentary photography can reach out to wider audiences and engage with them in a compelling and impactful ways. Photographers may propose to work in a range of non-fiction narrative styles, from classic documentary photography to more experimental visual storytelling, and may propose to include audio and video elements.

Objectives

  • To raise the level of creative documentary photography in the Arab region;
  • To train photographers and expand their approaches to visual storytelling;
  • To share strong visual narratives from the Arab region regionally and internationally;
  • To explore wider access to documentary photography and a more active engagement with its audiences

Timeline: Deadline to apply:  1 May 2019.  Announcement of selected grantees: 31 July 2019.

 

more info

8th Edition of the European Master of Contemporary Photography. Deadline: April 22, 2019

What do Martina Zanin (featured recently in YET Magazine and currently on view at Leporello in Rome) and Sofía Ayarzagoitia (First Prize at the xvii Bienal de la Fotografía, Mexico City, photobook published by La Fábrica, Madrid) have in common?

They both studied at the European Master of Contemporary Photography at IED Madrid. And so did Jorge, Dimitri, Anna, Eoin, Wawi, Joachim, Dahlia, Duarte, Yutaka, Paula, and Alena (only to name a few, and not two of them coming from the same country, by the way).

Their first-hand experience with some of the best artists, editors, curators and scholars in the field of contemporary photography has helped them to develop their own visual language and bring their work to the next level.

Faculty includes Martin Parr, Joan Fontcuberta, Irina ChmyrevaSimon Roberts, Mireia Sallarès, and Andreas Müller-Pohle. Project tutors: Nicolás Combarro and Ricardo Cases, together with course director, Moritz Neumüller. Students come from around the globe, classes are held in English. The next edition of the European Master of Contemporary Photography in Madrid starts April 22nd, 2019.

iedphotography.com

 

LBS Photography Awards. Deadline: March 22, 2019

The LBS Photography Awards are now accepting entries for their second edition. A new theme, When Worlds Collide, highlights the power of business innovation to join together previously disconnected ideas. Conceived by an MBA student, the Awards aim to showcase the ways that business shapes lives, communities and the environment.

 

We invite submissions of five to ten images from both professional and amateur photographers aged over 18 in the UK and worldwide. Eight photo-series will be shortlisted for exhibition at LBS’S London Campus, where the winner will be announced as part of the exhibition’s opening night on 8 May, 2019. The winning entry will receive £ 2,000 cash prize and feature in the London Business School Review (LBSR).

 

The Awards team are delighted to announce the 2019 jury members; Fiona Rogers, Chief Operating Officer at Magnum Photos and founder of Firecracker, a platform supporting female photographers; Mona Boshnaq, Photo Editor at The New York Times; Andrew Dunnett, Director, Vodafone Foundation; and Michael Benson, Founding Director, Candlestar/Photo London. They will be joined by representatives from the LBS Photography Club.

 

The submission deadline is Friday 22 March 2019 (23:59 GMT). Applications must be submitted by completing the online application form at lbsphotographyawards.com.

Conference on Photography as Art. Moscow, May 2019. Deadline: April 25, 2019.

International Scientific Conference
PHOTOGRAPHY AS AN ART: Current trends in study and the history of national schools

Organizers:
Russian Academy of Arts
Research Institute of Theory and History of Fine Arts
Moscow Museum of Modern Art

Partners of the Conference:
Instituto Europeo di Design, Madrid, Spain
PhotoVisa International Festival of Photography, Russia
Novoe Iskusstvoznanie [New Art Knowledge] magazine, St. Petersburg, Russia
Photographer.ru

May 27-29, 2019
Venue: Russian Academy of Arts, Moscow, Russia

Photography is one of the oldest image-making technologies in the modern world. Generations of artists and viewers have grown up surrounded by photography. It is everywhere. Photography is both established and dynamic.
In the context of the massive technological changes sweeping across contemporary visual culture, the place of photography may appear less significant. It even brings to mind the situation of 180 years ago where, during the presentation of a new type of image-making – photography – to the public, an onlooker exclaimed: “Today, painting died!” But it is photography that freed painters to create a new kind of art, the medium of painting transformed but still just as vital and relevant. Similarly, the evolution of technology in relation to photography allows us, first, to clarify what photography actually is in today’s world, and second, to attempt an understanding of the relationship between photography and contemporary art.
Since the beginning of the XXI century, there is no doubt among educated viewers and visual culture researchers that specific expressions of photography qualify it as an art. But, to date, there has been insufficient development of the history of the national schools of photography. This history is especially essential for young researchers and creators. There are histories of regional photography venues and national schools that have never been written. In Russia, it was in the mid-twentieth century that the structure of how the history of photography was represented was established and, since then, this concept of history has remained unchanged.
This conference does not propose revisionism. Rather, the goal is to open a discussion on the methods and strategies for writing the history of photography from around the world.
The title of the conference includes the phrase “history of national schools [of photographies]”. Organizers of the conference understand such schools to encompass a double meaning. First of all, it suggests the definition of regional specifics, the phenomenology of reflection on the history and culture of the regions, states and nations in the formation of regional photography. Second, schools suggest the educational process within the studies of modern art and humanities, where photography is both an educational tool and the subject of study.

Thus, the conference “Photography as an art: Current trends in study and the history of national schools” covers three main areas:
– the study of photography as a medium and the scope of its realization as an art;
– the methods and practices for writing national photography histories;
– the teaching of photography, its history and technology, within art education and the study of photography in the educational context of the humanities.

The aim of this meeting of experts is to define the current state of theory and research in the field, and also to create a foundation for future scholarship and study.

This conference is held in partnership with the editorial board of Routledge Companion to Photography and Visual Culture and the 5th International conference After Post-Photography, May 23-25 in St. Petersburg.

Conference working languages: Russian, English.
Time-limit: reports – 20 minutes. Within the framework of the conference round table – 10 minutes.
Applications are accepted in Russian and English. Abstracts will be published before the conference.
Applications are accepted until 00:00 April 25, 2019 at the email address mos.photo.conference2019@gmail.com
Contact person: Irina Chmyreva, PhD, executive chairman of the organizing committee of the conference

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