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OPEN CALL: FESTIVAL BAC 11.0: Closed 7th of September 2010

OPEN CALL FOR PARTICIPANTS:

PARTICIPATION REQUESTS

Any artist or collective of artists from all over the World are welcome to participate · Works must be developed after the 1st of January, 2007 with a maximum length of 6 minutes · Each participant can present a maximum of 6 works · The organization can use still frames and/or fragments of the work for its divulgation in the media, always under the Festival framework · Works authorities is responsibility of the participants · The organization is not responsible from the artworks’ content · Shipping expenses will be covered by the participant · The organization does not cover insurances from the artworks exhibition copies presented · The documentation and files submitted will not be returned but destroyed per request · When the participant is a collective, it should have one person designated as responsible for c ommunications with the organization ·

DEADLINE

The call for participations opens on Thursday 1st of July 2010 and closes on Tuesday 7th of September 2010.

SELECTION

The highly determinant factors would be:

– Artistic quality of the proposal and its presentation
– Plastic abilities and research with digital and analogical mediums
– Reference of the proposal to the suggested theme
– If not finished yet, viability of the proposal

JURY

Organization and chief curator will make the first selection of the proposals received. The curator responsible of each section from the Festival would make the final selection. Jury selection would be final.

RESULTS

Final results will be published in BAC! website: http://www.lasanta.org, as well as a nnounced through a VideoArtWorld Bulletin, at the end of September 2010. Once published the organization will contact each artist to inform about the following steps to follow.

* THESE REQUESTS WILL BE ACCEPTED WHEN REGISTERING ANY ARTWORK TO THE OPEN CALL PROPOSAL. PROJECTS THAT DO NOT FOLLOW ALL THESE REQUESTS WILL BE AUTOMATICALLY EXCLUDED FROM THE SELECTION PROCCESS.

*********** ************ ************

ARTWORK REGISTRATION FORM:

One form must be completed for each artwork presented

NAME AND SURNAME OR PSEUDONYM:
BIRTH YEAR:
CITY AND COUNTRY OF BIRTH:
CURRENT ADDRESS:
TELEPHONE NUMBER:
E-MAIL:     &ensp ;

TITLE OF THE WORK:
YEAR OF PRODUCTION (2007-2010) :
DURATION (máx. 6 minutes):
TECHNICAL FEATURES:
4:3 16:9
NTSC PAL (preferred format)

TECHNIQUES: (please select up to 2)
CAMERA CAPTURING, please select:
HD DV 35mm 16mm Super 8 Other:
ANIMATION 2D ANIMATION 3D STOP MOTION PIXILATION
MOTION GRAPHICS Other:

PLEASE SELECT THE DESIRED SECTION:
Video art (conceptually reflecting about TIME) Analogue Textures
Animation 2D & 3D Stopmotion & Pixilation Micro-short films
Music Clips Motion Graphics & Bootlegs Veejeing & Sound Veejeing
Kinetic Instalations Performance

BRIEF SYPNOSIS OF THE WORK: Conceptual description of the piece (not technical), this text will appear in the catalogue and should have between 300 and 700 characters, including spaces.

CURRICULUM OR BIOGRAPHY:

THIS FORM MUST BE PRESENTED ALONG WITH:
– Video File in exhibition quality: Minimum size: 720 x 420 pixels
Formats: .mov, .avi, mpg, .mp4, .wmv , .vob.
– From one to three images in printing resolution (300dpi)

SENDING INSTRUCTIONS:

– Digital upload:
https://www.yousendit.com/transfer.php?action=dropbox&dropbox=videoartworldfiles11385118

Please mention details of the artist / work / section and send form to bac@videoartworld.com

– Post mail:
La Santa
Ref.: FESTIVAL BAC 11.0
Apartado de Correos 64007
08080 Barcelona / España

New ARCOmadrid Concept

ARCOmadrid



Photo: Víctor Garrido

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30th International Contemporary Art Fair, ARCOmadrid
Dates: 16-20 February 2011, open to the public from 18 February

Venue: Halls 8 and 10 at FERIA DE MADRID
Organised by: IFEMA
www.arco.ifema.es

ARCOmadrid, the International Contemporary Art Fair, to be held from 16th to 20th February 2011, has already prepared the guidelines for its new project. And to set them in motion, it has formed a new Organising Committee, whose members are: Helga de Alvear (Galería Helga de Alvear); Rebeca Blanchard (Galería Nogueras Blanchard); Luciana Brito (Luciana Brito Galeria); Pedro Cera (Galeria Pedro Cera); Christopher Grimes (Christopher Grimes Gallery); Soledad Lorenzo (Galería Soledad Lorenzo); Guillermo de Osma (Galería Guillermo de Osma); Moisés Pérez de Albeniz (Galería Moisés Pérez de Albeniz); Rosemarie Schwarzwälder (Galerie Nächst St. Stephan Rosemarie Schwarzwälder) and Max Wigram (Max Wigram Gallery).

Guidelines for ARCOmadrid_2011 project
The framework for the 30th ARCOmadrid project involves a reduction in the size of the fair and its distribution in two Halls 8 and 10.

A new feature of the project is that the next editions of the SOLO PROJECT section will be centred exclusively on Latin America. Another noteworthy introduction is OPENING, a new programme inviting young galleries from emerging European countries, setting aside a separate space within ARCOmadrid especially for them. Furthermore, another new addition is FOCUS RUSSIA, a programme inviting galleries and projects showcasing the very best of current art production from Moscow and Saint Petersburg.

With regards to the Experts Forum, the format will change to make it more of a meeting place for museums, art centres and biennial directors, curators and galleries but will still bring to Madrid our 100 key curators and museum directors..

ARCOmadrid 30th Anniversary
The International Contemporary Art Fair is celebrating its 30th anniversary in 2011; three decades to its credit working wholeheartedly for the promotion of collecting and the development of a network of infrastructures for Contemporary Art. This experience has earned ARCOmadrid a solid reputation as a platform for the art market and a meeting place for gallerists and collectors.

To commemorate the anniversary, the upcoming event is preparing a number of incentives and actions conceived to attract to Madrid all of those art world agents in the art world who have enjoyed ARCOmadrid in the past.

RENCONTRES INTERNATIONALES PARIS / BERLIN / MADRID

C A L L   F O R   E N T R I E S

||||||| CALL FOR ENTRIES
||||||| EXTENDED DEADLINE
||||||| LAST DEADLINE: JULY 30, 2010
||||||| http://www.art-action.org

||||||| RENCONTRES INTERNATIONALES PARIS/BERLIN/MADRID
||||||| FILM / VIDEO / MULTIMEDIA

The call for entries is open until July 30, 2010, for the ‘Rencontres Internationales’ that will take place in Paris at the Centre Pompidou from Nov. 25 to Dec. 4, 2010, and in Madrid and Berlin in 2011.
Those three events will feature an international programming focusing on film, video and multimedia, gathering works of artists and filmmakers recognized on the international scene along with young artists and filmmakers.

ANY INDIVIDUAL OR ORGANIZATION CAN SUBMIT ONE OR SEVERAL WORKS. THE CALL FOR ENTRIES IS OPEN TO FILM, VIDEO AND MULTIMEDIA WORKS, without any restrictions for length or genre. All submissions are free, regardless of geographical origin… [click here >>>]

• FILMS AND VIDEOS – any film and video format
* Video / Experimental video
* Fiction, exp. fiction / Short, middle and full length
* Documentary, exp. documentary
* Experimental film
* Animation

• MULTIMEDIA
* Video installation, multimedia installation * Net art * Multimedia concert, multimedia performance

TO ENTER A WORK, CLICK HERE >>> http://www.art-action.org/call
You may choose between two types of registration:
• Until July 30, 2010: Entry form to use with regular mail
• Until July 30, 2010: 100% online entry form with video upload

PLEASE FORWARD this information to art and film organizations, art networks, production organizations, artists and filmmakers you are in contact with.

The ‘Rencontres Internationales’ offers more than a simple presentation of the works. It introduces an intercultural forum gathering various guests from all over the world – artists and filmmakers, institutions and emerging organizations – to testify of their reflections and their experiences, but also of artistic and cultural contexts that are often undergoing deep changes.
The ‘Rencontres Internationales’ reflects specificities and convergences of artistic practices between new cinema and contemporary art, explores emerging media art practices and their critical purposes, and makes possible a necessary time when points of view meet and are exchanged.
The event aims at presenting works to a broad audience, at creating circulations between different art practices and between different audiences, as well as creating new exchanges between artists, filmmakers and professionals.
It seeks to contribute to a reflection on our contemporary culture of image via a compelling program opened to everyone..

PARIS/BERLIN/MADRID
In 2007, the Rencontres Internationales, which initially took place in Paris and Berlin, opened up to a third city: Madrid. The event constitutes a unique artistic and cultural platform in Europe for artists, professional networks and various audiences. The venues in the three cities are in particular the Centre Pompidou in Paris, the Haus der Kulturen der Welt in Berlin, the Reina Sofia National Museum and the Spanish Cinematheque in Madrid.

The ‘Rencontres Internationales’ is a non-commercial event without competition, supported by French, German, Spanish and international institutions.

I invented a new Word: NASDAQuisation.

Hello World!

I was just writing to a friend who wants to move to Hong Kong, to work as a fundraiser in the expanding Arts Field of this city, mainly “because the government are currently investing millions developing a new ‘arts and cultural quarter’ there”.

Of course, I told her that fundraisers for the arts are ALWAYS needed… ANYWHERE… and that the art world of Hong Kong seemed fine to me, if you do not take the art part too seriously… As far as I understand, these iniciatives are mostly about the “cultural Industries” (I write the I as a capital letter only, not the c). At least that is what I learned from what happened in the 798 district in Beijing… And I cannot imagine Shanghai or Honk Kong to be better off, in this sense…

To be honest, I am a bit fed up with this kind of Emerging Markets Mentality in the art world, especially in China. Call me an elitist, but I just think that the growing Disneyfication and NASDAQuisation of the art word is not good for neither the arts, nor the artists, nor the public, on the long run. It is only good for the art collectors, a development pretty similar to what is going on everywhere else… was I just inspired because I had just seen (better late than never) Let’s Make Money by the Austrian documentary film-maker Erwin Wagenhofer?  Again, call me an arrogant Eurocentric elitist swine. But at least I have created a new word… when looking up NASDAQuisation on Google I found 0 (ZEEERO!!!) Matches, something that happens very seldomly. If anybody knows how to make BIG BUCKS out of my invention, please tell me, ASAP.

All the best, Moritz