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Fondation des Treilles Photography Prize. Deadline: Oct. 2, 2016.

Guidelines to compete for the Photography Prize

Eligibility

The photography prize of the Fondation des Treilles is open to all professional photographers with neither age limit nor nationality considerations. Photographers must have already published or exhibited their work.

The subject of their project can be anything from landscape to architecture, social or archeological photography, as long as it is closely related to the Mediterranean world.

Digital or conventional, the technique used to produce the work must be applied with a spirit of durability and conservation.

 

Judging

The jury, is chaired by Mrs Laura Serani, former director of photography, audiovisual and Fnac Collection, curator and artistic director of several major photographic events (as Les rencontres de Bamako, biennale africaine de la photographie), Artistic Associate of the Month of Photography 2014 in Paris, writer and critic. The other members are: Ezzaïm Hassan, Director of the Villa des Arts Rabat / Casablanca, ONA Foundation, Charles-Henri Filippi, collector, Chairman of Citigroup France, Costa Gavras, film director, Macha Makeieff, director of theater, Director of the National “Theâtre de la Criée” in Marseille, Jean-Luc Monterosso (Director of the “Maison Européenne de la Photographie”) and Sarah Moon, photographer, film-maker.

The jury’s decision will be final and not subject to appeal.

 

Prize: reminder

The prize is made of both an allowance of 2650 euros per month for a period ranging from two to eight months depending on the project, coming with a living residency.

The duration of the cash allowance will be decided by the jury depending on the project. All the expenses due to the realization of the project and more specifically travel costs will remain at the charge of the winner

As far as the residence is concerned, its maximum duration is of 8 months. By the way, it can not last less than one month, specially in order to insure the achievement of the development of the photos at Les Treilles.

 

Liabilities

Photographers shall guarantee that their works do not infringe the rights of third parties (image rights, right to private property, etc) or that they have obtained the necessary reproduction and exhibition permissions from these parties.

Entering the competition implies full acceptance of the terms of participation.

 

Application form and documents

FOR DIGITAL PRE SELECTION:

Please send:

The application form fully completed [download the competition form]

A short presentation of the project

10 to 20 images in jpg format, 300 dpi, medium quality compression, the longer side of the image should not be more than 12 cm

The applicants will be notified of their selection by email.

 

FINAL SELECTION

Applicants chosen at the conclusion of the pre selection phase have to submit a hard copy application to the following address: Fondation des Treilles, Prix “Résidence pour la photographie”, 90 rue de Varenne, 75007 Paris.

It requires:

A supporting text in French or English presenting the project and explaining the author’s approach of the chosen topic. The text should also mention if the applicant has already been awarded in other former prizes.

From 10 to 20 prints of a minimum A4 size up to an A3 maximum format.

A signed letter where the applicant (if awarded) undertakes the cession of at least 3 prints and the copyrights of such images in the strict limit of an institutional use. The prints will be part of the art collection of la Fondation des Treilles.

A stamped envelope or any form of package at the right format for the return of the prints to the applicants that have not been selected. Applications sent without the requested return envelope or unvalid stamping will not be returned.

 

TIMETABLE FOR A RESIDENCY IN 2017

Applications for pre selection must be sent from May 2 to October 2, 2016 to the following email address: prix.photo@les-treilles.com

Pre selection will take place in November 2016. Selected or not, each applicant will be advised.

Hard copy applications must be sent from: dates to be confirmed later.

Meeting of the panel of judges: date to be confirmed later.

Announcement of the winner, December 2016.

Best of Braga

Braga PF Reviews rocks! In the Portfolio Reviews, I saw great works from Luciana Faria Silva, Dani Pujalte & Rita Serra, Anni Hanén, Rui Diogo Castela, Silas de Paula, Jenny Rova, Carlos Heuser, Ditte Lyngkaer Pedersen, Carlos Barradas, Fernanda Chemale, Paulo Martins, Kristin Trub, Projecto PH, Emmanuel Guillaud, Laís Pontes, Adrián Portugal, Lizadie Taste, José Diniz, Gabriel Carpes, Friso Spoelstra, Jewgeni Roppel, John Thackwray, Carlos Alba, Conchi Martinez, Massimo Barberio, Inma Barrio, Miriam Stanke, Jill Quigley, Antonio Cavicchioni, and Marie-Pierre Cravedi.

Winner: Sonja Hamad
Horable Mention: Christiane Peschek

As for the books, we have chosen Mafalda Rakos’ I want to disappear as the winner, together with Senta Simond’s Keun Gui So Nyeo [Girls With Big Ears] as second, and Luján Agusti’s Un Montón de Ropa as third prize. Here are the names of all the finalists.

Thank you to all the great photographers and, of course, to Ângela Ferreira and her wonderful team!

captura-de-pantalla-2016-09-24-a-las-17-54-35

Call for Curatorial Projects, Valencia, Spain. Deadline: Nov. 14, 2016.

——>English<——

V.O.

The Consortium of Valencian Museums has launched the first edition of “V.O.”
The purpose of this call is the selection of three projects, for exhibitions during the years 2017 and 2018 at the Centre del Carme of Valencia and other associated centers of Alicante and Castellon.

The projects submitted must address contemporary artistic creation and innovation in creative processes, promoting mobility of exhibition productions and different artistic disciplines. Open to individuals and collectives.

The overall budget for each project is 25,000 €, with € 3,000 reserved for the curator and and 3,300 € for the artist or artists or participants.

The deadline for submitting projects for V.O. ends on November 14, 2016.

——>Español<——
El Consorci de Museus de la Comunitat Valenciana ha puesto en marcha la primera edición de su convocatoria V.O. dirigida a comisarios. Entre los objetivos que persigue el Consorci de Museus está el de contribuir al dinamismo del contexto artístico en la Comunitat Valenciana. Una de sus actuaciones concretas en este ámbito es el apoyo a comisarios y comisarias para dar a conocer propuestas innovadoras en el campo de las artes visuales, así como apoyar su desarrollo en el terreno profesional. El objetivo de esta convocatoria es la selección de tres proyectos de comisariado de carácter inédito para la realización de exposiciones durante los años 2017 y 2018 en el Centre del Carme de Valencia y en otros centros consorciados de Alicante y Castellón.

Los proyectos que se presenten deben abordar la creación artística contemporánea y la innovación en los procesos creativos, promoviendo la movilidad de las producciones expositivas  y las diferentes disciplinas artísticas. Puede optar a la convocatoria cualquier persona, a título individual o colectivo.

La dotación económica para cada uno de los proyectos es de 25.000 €, donde se incluyen los honorarios de 3.000 € para comisariado y 3.300 € para el o la artista o artistas participantes.

El plazo para presentar proyectos para V.O. finaliza el 14 de noviembre de 2016.

Bases V.O.
http://www.consorciomuseos.gva.es

Smack Mellon Call for emerging curators. Deadline: Sept. 1, 2016

Proposals are accepted annually from Emerging Curators for the Emerging Artists Summer Exhibition. The Emerging Artists Summer Exhibition will be curated by a selected Emerging Curator and will be made up of Emerging Artists. An Emerging Curator is defined as an independent curator who is beginning their career as a curator. Proposal must show history of at least 3 prior curatorial projects successfully presented to a public audience.

The selected curator’s exhibition theme will be announced in the open call process for the emerging artists program. The theme should be relevant to political, social or environmental issues. Curators must select 50% of their artists from the pool of emerging artists. The exhibitions must include at least 60% women artists, as part of Smack Mellon’s mission to support women artists.

Smack Mellon provides curators a stipend and a budget for artists’ stipends. The curator is encouraged to stop by the gallery during gallery hours to look at the space in order to tailor their proposal to the space.

Smack Mellon can provide audio and visual equipment such as projectors and flat screen monitors as well as technical support for installing complex projects.

The curator should realize that we expect a hands-on approach at the gallery. The curator is expected to be in NYC to review all submissions. The curator is expected to be at the gallery throughout the installation and the curator and artists involved in the exhibition are responsible for the execution and installation of the artwork. The curator should clarify to all artists when invited to participate that they are responsible for delivering their work to the gallery, installing and de-installing their work. Smack Mellon does not have a full time staff of preparators. Smack Mellon will hire an installer for 2 days to help with general installation. Smack Mellon gallery staff can assist in installation of work requiring a lift or special mounting. Our gallery staff may also assist artists with installation of other complicated projects but will not be involved in helping the artist to build their work on site. Our technical staff will install all of the equipment (projectors, monitors etc.) belonging to Smack Mellon. It will be the artist’s responsibility to install and maintain any equipment that belongs to the artist.

Specifics about the installation of artwork and about the equipment that Smack Mellon is able to provide will be discussed after the initial proposal has been reviewed and accepted as a proposal under consideration.

Curators do not have to propose a completed show but must submit the following:

______________________

1. Documentation of past exhibitions
(Up to 20 still images and/or a maximum of 3 three-minute videos of past exhibitions.)

2. Resume

3. Curator’s Statement about past exhibitions

4. Curatorial Proposal for new exhibition
(A list of artists under consideration can also be included.)

5. Work Samples
(Curators should also include images of the artists’ work to be included in the exhibition. If new work will be created for the exhibition, send images of their past work. A maximum of 20 still images can be submitted. )

_________________

TO BEGIN THE APPLICATION PROCESS

https://smackmellon.submittable.com/submit/e60ea1cc-58fb-49db-99f0-4d572885d5de

(You are not required to finish your application in one session.)

http://smackmellon.org/

En Foco Releases Newly Designed Nueva Luz vol. 20:1 Spotlighting the Bronx Women’s Photo Collective

FOR IMMEDIATE RELEASE
Contact: Layza Garcia & Bill Aguado
Email address: info@enfoco.org
High-resolution images available upon request

NL 20-1_CoverImage

Bronx, NY | July 2016 – Nueva Luz vol. 20:1, the revitalized and redesigned photographic journal from En Foco is now available in print and online. As with past issues of Nueva Luz, the magazine has illustrated the provocative, the avant-garde and the perspicacious photographic prognostications and philosophies from photographers of color who probe the heart of humanity through their lens.   This newly released and rebranded special issue is no different than an exploratory probe into the human psyche of inner-space.

En Foco and by extension Nueva Luz, has always sought to include and expand the parameters of visual presentation and has challenged concepts of identity for and about photographers of color.

Curated by Juanita Lanzo and designed by Nestor Otero, this edition of Nueva Luz features three dynamic…

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The Van Eyck Call for Applications for Residency (Maastricht). Deadline: Oct. 3, 2016.

——–>English Version (Dutch below)<———

Call for Applications: work period 2017

The Van Eyck invites artists, designers, photographers, architects, landscape architects, curators, writers, and thinkers to apply for a residency at the Jan van Eyck Academie for 6 up to 12 months. Participants are given the time and space that is needed to develop their talents, to discover as yet unexplored perspectives and delve into deeper layers of themselves. Start is beginning of April 2017. By mutual agreement, the residency can commence at a later date.

Participants receive amongst others:

  • a monthly stipend
  • a work budget
  • advise by a group of advisors, consisting of experienced artists, designers, curators and art critics, who will make regular studio visits
  • advise by different guest advisors who will make studio visits
  • access to well-equipped Labs (wood and metal, print, photo, video and new media, and a library), run by experts in their discipline

Participants are expected to:

  • engage, next to their work in the studio, in In-Labs and external projects
  • to settle in Maastricht or direct surroundings during their stay at the Van Eyck Institute

More info on: http://www.janvaneyck.nl/

All information about the application procedure; requirements, etc. can be consulted in English here. Please also check the FACT page

 

 ——–>Dutch version (English above)<———
Call for Applications: work period 2017

De Jan van Eyck Academie is een postacademisch instituut dat openstaat voor kunstenaars, ontwerpers, fotografen, (landschaps)architecten, curatoren, schrijvers, critici van over de hele wereld. Een verblijfsperiode aan de academie varieert van 6 tot maximaal 12 maanden. Start is begin april 2017. In overleg kan deze periode op een later tijdstip ingaan.

Deelnemers hebben o.a. de beschikking over:

  • een maandelijks stipendium
  • een werkbudget
  • een vaste groep adviseurs, bestaande uit ervaren kunstenaars, ontwerpers, curatoren en kunstcritici die regelmatig studiobezoeken afleggen
  • verschillende gastadviseurs die studiobezoeken afleggen
  • goed geoutilleerde labs (hout- en metaalbewerking, print, foto, video en nieuwe media en een bibliotheek, gerund door experts op hun vakgebied)

Van de deelnemers wordt o.a. verwacht:

  • dat zij, naast hun werk in de eigen studio, ook participeren in In-Labs en projecten met externe partners
  • dat zij zich vestigen in Maastricht of directe omgeving tijdens hun verblijf aan de Van Eyck

Informatie: http://www.janvaneyck.nl/

Alle informatie over de aanmeldingsprocedure, de vereisten, etc. is in het Nederlands hier te raadplegen. Check ook FEITEN elders op deze pagina.

 

Bemis Center for Contemporary Arts. Open Call for Curator in Residence. Deadline: Aug. 29, 2016

Curator in Residence Program in Nebraska, 2017

Now celebrating its 35-Year Anniversary, the Bemis Center is thrilled to launch the first Curator-in-Residence Program in the state of Nebraska, infusing Omaha with thought leaders in contemporary curatorial practice to engage the local arts community. Competitive applicants will possess a strong knowledge of international contemporary art and a genuine interest in researching and responding to cultural production in Omaha and the region. The Curator-in-Residence is part of the cultural fabric of the city, serving as a professional resource for local artists and arts professionals, and as an ambassador of the Bemis in the community. S/he will be an integral member of the Bemis’s Artist-in-Residence Program, sustaining an intellectual discourse surrounding contemporary art practice through studio visits, knowledge-sharing workshops, and other organized programs with fellow residents.

The Bemis Center for Contemporary Arts is now accepting applications from national and international curators for its inaugural Curator-in-Residence Program. Starting in January 2017, the successful candidate will participate in a one-year fully subsidized live/work residency as part of the Bemis Center’s acclaimed Artist-in-Residence Program. S/he will originate and present three exhibitions and related public programs inclusive of local and national artists. The Curator-in-Residence will work alongside residency and curatorial staff, and actively contribute to the overall vision of the Bemis’s renowned exhibition program. Reporting to the Curator of Exhibitions and Public Programs and the Artistic Director for Residency Programs, the Curator-in-Residence is a full-time temporary position. S/he will be involved in all curatorial and administrative aspects of organizing three exhibitions over a 12-month residency. The 2017 exhibition seasons are scheduled for February 2–April 29, June 1–August 26, and November 9–January 27. Exhibitions will be original, conceptually rigorous, and exemplify the true breadth and experimentation currently defining contemporary art. Duties include, but are not limited to, research, artist and donor relations, exhibition design and installation, writing/editing of scholarly texts and didactics, budgeting, conceptualizing and leading public programs, and exhibition tours. The Curator-in-Residence studio is for single occupancy only; Bemis is unable to accommodate partners, children, and pets at this time.

There are no fees to apply.

ELIGIBILITY

  • Residency opportunities are open to national and international arts professionals 21+ years of age, showing a strong professional working history.
  • Bemis Alumni are allowed to re-apply for residency after a three year hiatus from the program. Alumni seeking residency must submit a complete application including recent work samples and current resume. Preference may be given to applicants who have not previously attended.
  • Students enrolled in an academic program during the time of requested residency are not eligible to apply.
  • Bemis welcomes internationally based arts professionals to apply. A working knowledge of English is helpful for international artists as an interpreter will not be provided.
  • Bemis Center for Contemporary Arts is committed to a policy of nondiscrimination and equal opportunity for all persons regardless of race, sex, color, religion, creed, national origin or ancestry, age, marital status, sexual orientation, gender identity, gender expression, and disability. For special needs or questions about accessibility, please contact the Residency Program Manager.

QUALIFICATIONS

  • Master’s degree in curatorial or museum studies, art history, or related field; or 5 years equivalent professional work experience in the field;
  • A minimum of 1-2 years curatorial experience in an academic, non-profit, and/or commercial gallery setting;
  • Strong knowledge of international contemporary art and a keen interest in understanding and working with Omaha’s cultural landscape are required;
  • Excellent verbal and written communications skills are essential;
  • Creative and strategic thinker with the capacity to take initiative and to work independently and as a team player in a fun, yet demanding arts organization;
  • It is understood the ideal candidate will understand and promote the Bemis Center’s mission and, as an ambassador of the organization, perform all Bemis-related duties in a professional, responsible manner.

FEES & BENEFITS

Submission of applications are only accepted online through www.slideroom.com.

There is no fee to apply.

The selected Curator-in-Residence will receive:

  • Monthly honorarium: $2,500
  • Relocation allowance: $2000*
  • Ground transportation allowance: $300/month
  • Travel/research budget: $3,000
  • Free lodging in a sizable, well-appointed live/work studio with private bath and kitchen and complimentary utilities, laundry, and Wi-Fi
  • Administrative staff support
  • Dedicated gallery; approximately 2000 square feet; 12.6 foot ceilings; concrete floors

*Curator-in-Residence will organize own travel to Omaha for residency.

Application Review Process

SlideRoom will confirm receipt of your submitted application. Residency applications are reviewed each cycle by a rotating panel represented by arts professionals such as artists, curators, academics, and/or critics. The review process will take 6-8 weeks from the application deadline. Notifications to all applicants will be sent via email after the selection panel has made its final decision.

The final date for submissions is the 29th of August, 2016.

To Apply: https://bemis.slideroom.com/#/login/program/31340

More information about the Bemis Center of Contemporary Arts: http://www.bemiscenter.org/