Category Archives: Deutsch

Eintrag auf Deutsch

Call for creative digital projects, Vienna. Deadline: Oct. 3, 2017

Advertisements

Photography Call. Galerie Sehnsucht. Deadline: Oct. 15, 2017

We call for entries from photographers and photographic artists with images that are dedicated to Sehnsucht. Our first exhibition will be on view with this title from November 1st, until December 10th, in our wonderful gallery at the Vijverhofstraat. It will show our selection from the works that were submitted in the call. We will be assisted in making this selection by Philippe Moroux. Philippe is an artist and photographer who lectures at the Academy of Art and Design St. Joost in Breda, Netherlands. He will be the guest curator for this exhibition.

sehnsucht (n) “the inconsolable longing in the human heart for we know not what”

‘Sehnsucht’ is a German word, but known to artists for centuries. Friedrich von Schelling, a German author and thinker, called Sehnsucht the “gravity of our emotions”. It explains the never ending search people set out to do, a searching in the world, in the hearts of other people, a search in themselves … but not knowing quite for certain what they are looking for, it’s more a feeling than a word. The old idea of the ‘Wanderer’, always restless and thinking that happiness is somewhere else, is closely connected to it. Sehnsucht can apply to small longings, intimate things, but just as well to great things and deeds that one wants to happen, or to the loneliness the individual looks for in the face of the sublime.
Popular as emotion in the arts from the days of the romantics in the 19th century, the word can be applied on work of photographers as different as Alfred Stieglitz, Bill Brandt, Sally Man or William Egglestone.

Your work can be anything from a straight photograph, to manipulated and even drawn photoshop projects, from alternative 19th century photographic techniques to modern, computer made images, graphic arts (etchings, litho’s…), as long as it’s based on one or more photographic images (no drawings or paintings) and you can show us how it looks by sending us a digital file.

Learn how to participate at http://www.galeriesehnsucht.com

Zines of the World exhibition, London. Deadline: Oct 1, 2017

ZINES OF THE WORLD is an open submission project from Doomed Gallery and The Photocopy Club. Starting in 2015 a call out was made for photographers and zine makers to submit there zine to be part of an exhibition in London. The exhibition featured over 300 zines from around the world and had around 1000 visitors over it’s four day opening at Doomed Gallery. All the zines are displayed in a hanging system and labeled by the country of origin.

The project was also exhibited in Lodz Poland as part Fotofestiwal 2016 which you can see below. You can also see all the submissions submitted below.

For 2017 the Zines of the World exhibition will be part of Photoblock this October at the Truman Brewery. Over the course of the 4 day exhibition we will have a series of workshops, talks, film screenings and more.

ZOTW 2 is now open for submissions and you can follow the project via @zinesoftheworld Instagram.

SUBMISSIONS MUST HAVE PHOTOGRAPHIC CONTENT

POST: DOOMED GALLERY (ZOTW) 65-67 RIDLEY ROAD, DALSTON, E8 2NP, LONDON.

*Please no sign for mail.

DEADLINE 1.10.17

Please contact matt@doomedgallery for more info.

Picture This! Europeana Call. Deadline: August 31, 2017

Competition alert! Get your photographs featured in Europeana Exhibitions.

Earlier this year, we published an exhibition featuring vintage postcards of beautiful cities, landscapes and regions across south-eastern Europe.

These postcards show us a nostalgic view of south-east Europe. We want to see what it’s like today.

Take part in our Picture This! Competition and share your pictures of Montenegro, Croatia, Albania and more.

Visit our exhibition to see exactly which places and landmarks we’re looking for in:

How to enter
It’s easy, just submit your photographs to our competition via Twitter, Instagram or Facebook using the hashtag #PicThisEurope. In your post please state which country, place or landmark is featured in your image.

What will make your image a winning shot
We love people but for this competition we want you to share your best shots featuring landscapes and/or landmarks as the focus point. We will not be able to accept images featuring people.

What you will win
Winners will receive a hamper of smartphone camera accessories and have their images featured in the Picture This! exhibition. Runners-up will receive Europeana goody bags.

Closing date is Thursday 31 August 2017.
Terms and Conditions

  1. The competition is organised by the Europeana Foundation, whose registered office is at Prins Willem-Alexanderhof 5, 2595 BE Den Haag, The Netherlands.
  2. We welcome entries from anyone aged 16 years or over except employees of the Europeana Foundation, participating partner organizations and their close relatives,or anyone otherwise connected with the organization or on the judging panel of the competition.
  3. The competition is free to enter. By entering this competition entrants are providing consent for their submission to be used by the Europeana Foundation in connection with the Europeana Collections website, related website, including but not limited to publicly displaying it, incorporating it into promotional and social media activities.
  4. The Europeana Foundation will not claim copyright ownership of image submissions. Entrants will own copyright in their image and any use of the image will be credited to the owner.
  5. Each person may submit one entry. A person will be disqualified if they submit multiple entries, or an image that does not meet the entry criteria. Only pictures of landscapes/landmarks will be accepted. Closing date for entry will be Thursday 31 August 2017. After this date no further entries to the competition will be permitted.
  6. There will be two first place winners and three runners up. Winners will be chosen by a public vote and an independent panel of judges appointed by the Europeana Foundation.
  7. First place winners will receive a hamper of smartphone camera accessories and have their images featured in the Picture This! exhibition. Runners-up will receive Europeana goody bags. The Europeana Foundation will not be responsible for the payment of any additional taxes or costs incurred for prizes that are sent overseas.
  8. The winner will be notified by email and/or direct message on Twitter/Facebook within 28 days of the closing date. If the winner cannot be contacted or does not claim their prize within 14 days of notification, we reserve the right to withdraw the prize from the winner and pick a replacement winner.
  9. The Europeana Foundation reserves the right to cancel or amend the competition if circumstances arise outside of its control.

 

More information (in many languages):

http://www.europeana.eu/portal/en/picture-this-competition.html?utm_source=Europeana+eNews&utm_campaign=728c335908-EMAIL_CAMPAIGN_2017_07_26&utm_medium=email&utm_term=0_1d4f51a117-728c335908-143185390#

Bauhaus Residence. Deadline: September 6, 2017

 

In the 1920’s the Masters’ Houses in Dessau became the epitome of an artist community of the twentieth century. This is where Walter Gropius, Oskar Schlemmer, Georg Muche, László Moholy-Nagy, Lyonel Feininger, Wassily Kandinsky and Paul Klee and their families lived next door to each other. Here they were joined by their friends and visitors. Artist collectives, artist couples and artist friendships developed here, with everyone working together in the open structure of the model homes located in a park. However, when the Bauhauslers left in 1933 the area became deserted and the work created as a result of the artistic effort was abandoned.

Since February 2016 the Bauhaus Dessau Foundation is enabling young international artists to once again live and work in the Schlemmer house – even if the restrictions of the perseveration of cultural heritage attached to the status of a UNESCO World Heritage Site are very strict. With the new format the Bauhaus Dessau Foundation would like to promote the current focus of attention on the Bauhaus heritage, revitalise the Masters’ Houses and in this context promote artistic and creative work of international significance which will then at the end of the residency period be displayed in the Gropius House until the Bauhaus anniversary in 2019.



Participation conditions

The programme is catering to artists with an overall interest in all those areas that are historically being represented by Bauhaus and that have developed from it until today: painting, design, textile, architecture, sculpture, photography, film.

Please appreciate the fact that the Open Call is not open to students. Teams are welcome.

Application (German or English):
Please apply using the application online form

We require the following information from you:

  • Your career development
  • A list of your previous exhibitions
  • The actual project that you will be working on during your stay at Bauhaus. This should be related to Bauhaus (approx. 2 pages). The project should also be tied to the Foundation’s annual topic in 2018 “Standards”. (Here we are looking at a survey of standards existing in building, living, life and works of art. How do we deal with measurability, rules and standards? How can we get off the beaten track of standards in the field of art? What influence does art have today on how we perceive standards?)
  • A motivation
  • An artist’s portfolio

Applications in paper or other formats will not be accepted and will therefore disqualify the applicant.

! ! ! Closing date for applications ! ! !
6 September 2017, 00 h (CET)


Announcement of the winners

In the autumn of 2017 two artists will be selected for the year 2018 by a jury. The winners will be announced through a press release at the end of October 2017.

Jury

The jury consists of Dr Claudia Perren, director of the Bauhaus Dessau
Foundation; Melanie Roumiguière, curator Hamburger Bahnhof Berlin (requested); Daniel
Herrmann, director of the Werkleitz Gesellschaft e.V.; Markus Hoffmann, guest artist 2017, and Dr Alexia Pooth, research associate of the Bauhaus Dessau Foundation.


The Foundation’s performances

The Bauhaus Dessau Foundation will provide the selected artists with the
following for three months:

  • Living and work space in the Schlemmer House
  • A monthly expense allowance of 1,200 Euros
  • Opportunities for giving presentations and performances and engaging in discussions during their stay
  • Support in their research work, in organising events along with technical assistance and public relations activities
  • Public presentations of their work in the Gropius House at the end of their stay where the work will remain until 2019

The artists‘ obligations

  • Purchase of the material required for their work
  • Medical and indemnity insurance
  • Visa
  • Living expenses, provisions

With the assistance of the Bauhaus Dessau Foundation, the artists are free to apply for additional external funding for their stay.


Artists-in-Residence time period

The three-monthly Artist-in-Residence stays will take place between April and October 2018 in consultation with the Foundation. You are expected to be present in Dessau.


Fellowship Program for Art and Theory in Austria. Deadline: Jan 27, 2017

FELLOWSHIP PROGRAM AT KÜNSLERHAUS BÜCHSENHAUSEN, AUSTRIA.

—German version below—

Call For Applications

Künstlerhaus Büchsenhausen invites visual and media artists, art critics, theorists, and curators to apply for a fellowship in 2017–2018. Candidates can apply for one semester (October 2, 2017 – February 11, 2018 or February 12, 2018 – June 24, 2018). The fellowship can be split across two semesters.

The closing date for submissions is 27 January 2017 (postmark).
For details regarding the application procedure please scroll down.

Institution

Künstlerhaus Büchsenhausen is a post-graduate center for production, research, exchange in the fields of visual arts and art theory. Within the framework of the Fellowship Program for Art and Theory, the Künstlerhaus provides a platform that facilitates the development and production of artistic and art-theoretical projects in a critical context. At the same time, Künstlerhaus Büchsenhausen offers a forum for direct exchange between professionals – artists, theoreticians, critics, and curators – from the region and abroad, as well as a point of interaction with local interested audiences. Künstlerhaus Büchsenhausen is affiliated with the Tyrolean Artists’ Association, the major association of visual artists from the region.

Büchsenhausen brings together two programs under one roof. On the one hand, it is the site of the Fellowship Program for Art and Theory. On the other hand, it is the location of several studios for artists based in Tyrol who require space for working in a professionally interesting environment. Three apartment studios are used by the participants in the fellowship program. The other six studios are available to artists based in Tyrol. The project and presentation space is equipped with multimedia facilities and is at the fellows’ disposal. The space was designed by Atelier van Lieshout.

Fellowship Program

With its Fellowship Program for Art and Theory, Büchsenhausen promotes internationally relevant artistic production, research, and discussion in the region of Tyrol. The program is based on the idea of generating and maintaining a context for production and discussion, in which artists and theorists can connect and reflect on international art and societal discourses in relation to local topics and issues. At the same time, it affords the opportunity for an artistic laboratory of experimentation, where new artistic practices and strategies may be tried out.

The program’s aims are:

  • to promote and relay a critical, socially relevant production of knowledge in art and art theory;
  • to produce, through the fellowship projects, qualified discourses on art and society within the local and global contexts;
  • to enable the transfer of knowledge between the field of art and other publics outside the art context;
  • to facilitate the exchange between cultural producers in the visual arts and beyond (creating a network of experts).

The program combines the advantages of a residency with the possibilities of a postgraduate, non-university lectureship on the basis of an open, non-formalized structure. In terms of content, the program addresses a worldwide public made up of professionals in the fields of contemporary art, architecture, art and media theory, and criticism.

The fellows are selected by a jury of experts following an open call for applications. They come to Büchsenhausen for one or two semesters to work on realizing their proposed undertaking, and accompany this process with public events. For this purpose, Büchsenhausen assigns a monetary award and provides a production budget, working spaces, free lodging, and artistic and technical advice.

The conveyance and discussion of the fellow’s own work occurs parallel to the development of the individual proposals. The focus of the public events is determined by the respective emphases of the various fellows’ works. Within the framework of these discursive formats, the fellows (or their guests) can present various points in their investigations, open up their works-in-progress to critical discussion, interact with experts who they invite, work through content with the public, and/or try out new ways of working. The fellowship year ends with a group exhibition curated by the director of the Fellowship Program.

For former and current fellows and their realized work please go to buchsenhausen.at/fellows.

Fellowship

  • a money award of EUR 3,200;
  • an individual studio for working and living, furnished with a large shared kitchen;
  • a production budget for the realization of the submitted proposal;
  • a budget for inviting experts to Büchsenhausen for the purpose of professional exchange;
  • the opportunity of a group exhibition at the end of the fellowship;

Facilities

  • free access to the ‘Lab’, the project/gallery space;
  • free use of the available multimedia production equipment in the ‘Lab’;
  • free Highspeed-DSL/WLAN Internet access;
  • professional artistic advice;
  • technical advice if required.

Eligibility

Professional visual/media artists, art theorists, art critics, and curators from all over the world are eligible for the fellowship.

Requirements

The application must include a concrete work proposition. Work on the submitted proposal forms the core of each fellow’s activities during his/her stay in Büchsenhausen. A description of a series of public events intended to accompany the individual work during the duration of the fellowship (up to three events) is also an integral part of the working proposal. If the application is successful, the fellows are required to specify the details of the presentation series and carry out the proposed program.

The fellows declare themselves willing to be present at Büchsenhausen for the duration of the fellowship. Working knowledge of English is required.

Selection

The selection of fellows is made by a jury of experts and based on the quality, originality, and relevance of the proposed undertaking and the work samples submitted by the applicants. The jury includes the director of Künstlerhaus Büchsenhausen, a member of the advisory board at Künstlerhaus Büchsenhausen and one external expert.

The selection procedure occurs in two stages.

In the first stage, the submitted applications are evaluated and the jury makes a shortlist of candidates who will be invited to Büchsenhausen for personal interviews.

The personal interview with the jury forms the second stage. For the interview, the applicants have to come to Innsbruck to personally present their working plans and aims during the fellowship.

Büchsenhausen will pay for accommodation in Innsbruck for one night, but cannot cover the costs for travel to Innsbruck. Alternatively, a video conference (for instance via Skype) is also possible.

There is no legal right to be awarded a fellowship at Künstlerhaus Büchsenhausen. The jury is therefore under no obligation to justify decisions. The jury’s decision will be communicated in written form in March 2017 (first stage) and April 2017 (second stage).

Application procedure

Applications are to be written in English or German. Applications must include the following printed documents:

  • the working proposal (max 2,000 words, 3 copies);
  • a visual portfolio/documentation of recent works:
    • artists: The artistic portfolio can be submitted in paper form (max. 2 catalogs, max. 10 photos), on DVD, CD or USB stick (max. 1 DVD/CD/USB stick), or digitally via a permanent link (no time-limited download links like WeTransfer!);
    • theorists/art critics: 1 recent writing sample (3 copies);
  • a curriculum vitae (3 copies);
  • the printed and signed confirmation e-mail of the filled electronic application form (1 copy).

Please note that all documents except the visual artists’ portfolios have to be sent in paper form by post.

The electronic application form can be completed in English or German language. By submitting the online form you will get a confirmation e-mail with the completed data. A copy will be sent to our office too.
Please print the confirmation e-mail, sign it and send it together with the required material to the address given below.
If you have problems with the online application form or need any additional information please contact us via email: office@buchsenhausen.at

The address to which the applications must be posted is:

  • Künstlerhaus Büchsenhausen
    Ref.: “Fellowship 2017–18”
    Weiherburggasse 13
    6020 Innsbruck
    Austria

Closing date for submissions (postmark): Friday 27 January 2017

Please note that only submissions sent by post are accepted.
Too late received and incomplete applications will not be included in the selection process.

» Click here for the electronic application form

—English version above—

CALL FOR APPLICATION

Ausschreibung

Das Künstlerhaus Büchsenhausen lädt bildende Künstler_innen, Kritiker_innen, Theoretiker_innen und Kurator_innen ein, Arbeitsvorhaben für ein Fellowship im Jahr 2017/18 einzureichen. Die Bewerber_innen können um ein Fellowship für ein Semester ansuchen (2. Oktober 2017 – 11. Februar 2018 oder 12. Februar 2018 – 24. Juni 2018). Das Fellowship kann auf zwei Semester aufgeteilt werden.

Einsendeschluss ist Freitag 27. Januar 2017 (es gilt das Datum des Poststempels).
Um Einzelheiten zum Bewerbungsablauf zu erfahren, bitte hinunter scrollen.

Institution

Das Künstlerhaus Büchsenhausen ist ein postgraduales Zentrum für Produktion, Forschung und Vermittlung im Bereich der visuellen Künste und der Kunsttheorie. Im Rahmen des hier stattfindenden Fellowship-Programms stellt das Künstlerhaus eine Plattform zur Verfügung, die die Entwicklung und die Produktion künstlerischer und kunsttheoretischer Projekte in einem kritischen Kontext ermöglicht. Das Künstlerhaus Büchsenhausen bildet gleichzeitig ein Forum für den direkten Austausch zwischen lokal und überregional tätigen Fachleuten – Künstler_innen, Theoretiker_innen, Kritiker_innen und Kurator_innen sowie eine Schnittstelle zu unterschiedlichen Öffentlichkeiten vor Ort. Das Künstlerhaus Büchsenhausen ist eine Einrichtung der Tiroler Künstlerschaft, der wichtigsten Vereinigung bildender Künstler_innen in der Region.

Das Künstlerhaus Büchsenhausen vereint zwei Förderprogramme unter einem Dach: Es ist einerseits Austragungsort des Fellowship-Programms für Kunst und Theorie. Andererseits ist es ein Atelierhaus für in Tirol lebende Künstler_innen, die einen Arbeitsraum in einer künstlerisch interessanten Umgebung suchen. Drei Ateliers stehen den Fellows als Wohnstudios zur Verfügung. Sechs weitere Ateliers werden mehrjährig an Künstler_innen aus Tirol vergeben. Neben den Ateliers verfügt das Künstlerhaus Büchsenhausen über einen großen Projekt- und Präsentationsraum, der den Fellows zur Verfügung steht. Der Raum wurde vom Künstler_innen-Kollektiv Atelier van Lieshout gestaltet.

Fellowship-Programm

Mit dem Fellowship-Programm für Kunst und Theorie fördert das Künstlerhaus Büchsenhausen in Tirol eine künstlerische Produktion, Forschung und Diskussion von internationaler und regionaler Relevanz. Dem Programm liegt die Idee zugrunde, einen Produktions- und Diskussionskontext zu generieren, in dem Künstler_innen und Theoretiker_innen überregionale Kunst- und Gesellschaftsdiskurse mit lokalen Themen in Zusammenhang bringen und reflektieren. Gleichzeitig wird die Möglichkeit eines künstlerischen Experimentierlabors gewahrt, wodurch Neues ausprobiert werden kann.

Ziele des Programms sind:

  • Förderung und Verbreitung einer kritischen, gesellschaftsrelevanten künstlerischen bzw. kunsttheoretischen Wissensproduktion;
  • Die Produktion qualifizierter Diskurse zu Kunst und Gesellschaft im lokalen und globalen Kontext durch die Umsetzung der Arbeitsvorhaben im Rahmen der Fellowships;
  • Die Ermöglichung des Wissenstransfers zwischen dem Kunstfeld und anderen Öffentlichkeiten außerhalb des Kunstkontextes;
  • Der Austausch zwischen Kulturproduzent_innen im Bereich der visuellen Künste und darüber hinaus (Vernetzung von Expert_innen).

Das Programm verbindet die Vorteile einer Residenz mit den Möglichkeiten einer außeruniversitären Dozentur auf Grundlage einer offenen, nicht formalisierten Struktur. Inhaltlich richtet sich das Programm an eine weltweite Fachöffentlichkeit in den Bereichen zeitgenössischer Kunst, Architektur, Kunst- bzw. Medientheorie und -kritik.

Die Fellows werden nach einem offenen Bewerbungsverfahren von einer Fachjury ausgewählt. Sie kommen für einen Zeitraum von ein bis zwei Semestern nach Büchsenhausen, wo sie am eingereichten Arbeitsvorhaben arbeiten und diesen Prozess in öffentlichen Veranstaltungen diskursiv begleiten. Büchsenhausen vergibt hierfür einen Geldpreis und stellt ein Produktionsbudget, Arbeitsräume, eine kostenlose Wohnmöglichkeit sowie fachliche und technische Beratung zur Verfügung.

Die Vermittlung und Diskussion der Inhalte erfolgt parallel zur Entwicklung der einzelnen Vorhaben. Die Inhalte der öffentlichen Veranstaltungen werden von dem jeweiligen Arbeitsschwerpunkt der Fellows vorgegeben. Im Rahmen dieser diskursiven Formate präsentieren die Fellows (oder ihre Gäste) unterschiedliche Schwerpunkte ihrer Investigationen, können aber auch ihre laufende Arbeit einer kritischen Diskussion stellen, sich in Interaktion mit eingeladenen Expert_innen und dem Publikum Inhalte erarbeiten und neue Arbeitsweisen erproben. Das Fellowship-Jahr endet mit einer Gruppenausstellung, die vom Leiter des Fellowship-Programms kuratiert wird.

Beispiele für Arbeitsvorhaben, die im Rahmen des Programms realisiert wurden, finden sich auf dieser Website unter dem Menü-Punkt buchsenhausen.at/fellows.

Fellowship

  • ein Geldpreis in der Höhe von EUR 3.200,–
  • ein Wohnstudio mit einer großen gemeinsamen Küche und Sanitäranlagen;
  • ein Produktionsbudget zur Realisierung des eingereichten Vorhabens;
  • ein Budget, um Expert_innen zwecks fachlichem Austausch nach Büchsenhausen einzuladen;
  • die Möglichkeit der Teilnahme in einer kuratierten Gruppenausstellung am Ende des Fellowshipjahres.

Leistungen

  • freier Zugang zum „Labor“, dem Projekt- und Ausstellungsraum in Büchsenhausen;
  • freie Nutzung der Multimedia-Produktionsgeräte im „Labor“;
  • freier Internetzugang via Highspeed-DSL/WLAN;
  • künstlerische Beratung;
  • technische Beratung auf Anfrage.

Teilnahmeberechtigung

Hauptberuflich tätige bildende Künstler_innen, Medienkünstler_innen, Theoretiker_innen, Kritiker_innen und Kurator_innen aus der ganzen Welt können sich um ein Fellowship bewerben.

Bewerbungsvoraussetzungen

Die Bewerbung muss ein konkretes Arbeitsvorhaben beinhalten. Die Arbeit an der Realisierung des eingereichten Vorhabens steht im Mittelpunkt der Tätigkeit während des Fellowships im Künstlerhaus Büchsenhausen. Ebenfalls verpflichtend ist die Einreichung eines Vorschlags für maximal drei öffentliche Veranstaltungen die die Arbeit am eingereichten Vorhaben über die Dauer des Fellowships begleitet. Erfolgreiche Bewerber_innen müssen in einem zweiten Schritt konkrete Details der Veranstaltungen formulieren und das Veranstaltungsprogramm durchführen.

Die Fellows erklären sich bereit, während der Fellowshipdauer in Büchsenhausen anwesend zu sein. Gute Englischkenntnisse werden vorausgesetzt.

Auswahl

Die Fellows werden von einer Fachjury ausgewählt. Grundsätzliche Auswahlkriterien sind die Qualität, Originalität und Relevanz des eingereichten Arbeitsvorhabens und des Portfolios. Die dreiköpfige Fachjury besteht aus dem künstlerischen Leiter des Künstlerhauses Büchsenhausen, einem Mitglied des Fachbeirats im Künstlerhaus und einer externen Fachperson.

Das Auswahlverfahren ist zweistufig.

In der ersten Stufe werden die schriftlichen Bewerbungen beurteilt. Die Jury erstellt eine engere Auswahlliste von Kandidat_innen. Diese Kandidat_innen werden zu einem persönlichen Interview nach Büchsenhausen eingeladen.

Die zweite Auswahlstufe besteht aus persönlichen Bewerbungsgesprächen. Die eingeladenen Kandidat_innen müssen nach Innsbruck kommen, um sich und ihr Arbeitsvorhaben der Fachjury vorzustellen. Im Rahmen der zweiten Bewerbungsstufe übernimmt Büchsenhausen die Kosten einer Übernachtung in Innsbruck. Die Reisekosten selbst müssen von den Kandidat_innen getragen werden. Falls die Anreise nicht möglich ist, kann das persönliche Bewerbungsgespräch auch im Rahmen einer Videokonferenz (z.B. über Skype) erfolgen.

Auf die Gewährung eines Fellowships im Künstlerhaus Büchsenhausen besteht kein Rechtsanspruch. Die Jury ist nicht verpflichtet, eine Begründung der Zuerkennung oder Ablehnung eines Antrags abzugeben. Die Entscheidung der Jury wird schriftlich mitgeteilt, für die erste Stufe im März 2017, für die zweite Stufe im April 2017.

Bewerbungsablauf

Die Bewerbungen erfolgen schriftlich in englischer oder deutscher Sprache und müssen zwingend folgende Dokumente beinhalten:

  • ein Arbeitsvorhaben (max. 2.000 Wörter, in dreifacher Ausfertigung);
  • ein Portfolio bzw. eine Dokumentation der Arbeit der letzten Jahre:
    • Künstler_innen: Das Portfolio kann in Papierform (max. 2. Kataloge, max. 10 Fotos), auf DVD bzw. CD oder USB-Stick (max. 1 DVD/CD/USB-Stick) oder digital mit einem Permalink eingereicht werden (es werden KEINE temporären Download Links wie etwa WeTransfer akzeptiert!);
    • Theoretiker_innen: ein aktuelles Textbeispiel in dreifacher Ausfertigung;
  • einen Lebenslauf (in dreifacher Ausfertigung);
  • den unterschriebenen Ausdruck der Bestätigungs-E-Mails (einfache Ausfertigung).

Hinweis: Mit Ausnahme des Portfolios bei Künstler_innen müssen alle Dokumente in Papierform in der jeweiligen Ausfertigung postalisch versandt werden.

Das Online-Bewerbungsformular kann in deutscher oder englischer Sprache ausgefüllt werden. Durch Bestätigung des Bewerbungsformulars wird eine E-Mail mit den eingegebenen Daten an Sie und eine Kopie an das Künstlerhaus Büchsenhausen gesandt. Bitte drucken Sie die Bestätigungs-E-Mail des Bewerbungsformulars aus (einfache Ausfertigung ist vollkommen ausreichend) und schicken Sie diese unterzeichnet und mit den geforderten Dokumenten an folgende Adresse:

  • Künstlerhaus Büchsenhausen
    Ref.: „Fellowship 2017-18“
    Weiherburggasse 13
    6020 Innsbruck
    Austria

Falls Fragen zum Bewerbungsformular auftreten, kontaktieren Sie uns bitte per Mail: office@buchsenhausen.at

Einsendeschluss ist Freitag 27. Januar 2017 (es gilt das Datum des Poststempels).

Nur Einreichungen per Post werden berücksichtigt!
Zu spät eingegangene bzw. unvollständige Bewerbungen werden nicht in den Auswahlprozess aufgenommen.

» Weiter zum Bewerbungsformular

DGPh HISTORY OF PHOTOGRAPHY RESEARCH AWARD. DEADLINE: SEP. 30, 2016

Call for Applications
2016 DGPh History of Photography Research Award

Since 1978, the History and Archives section of the German Photographic Society (Deutsche Gesellschaft für Photographie, DGPh) recognises scientific research in the history and theory of photography.

The DGPh History of Photography Research Award 2016 will be open for all elements of research into photography’s many aspects. Besides aspects of traditional history and theory of photography, topics will be considered that deal with photography’s social meaning, or the impact that the medium has had on society. The applicant’s work should represent an autonomous, innovative, and original contribution to these areas. The award is open to researchers from all fields.

Applications and manuscripts for the DGPh History of Photography Research Award may be submitted in either English or German. Applications should consist of a published or unpublished manuscript produced during the last two years before the deadline. Project outlines, or yet unfinished manuscripts etc. will not be accepted.

Allocation will be the decision of an expert jury. The jury will publish its reasons to reward the winning entry. The jury consists of the chairpersons of the History and Archives section of the DGPh, the previous prize winner plus one or a group of invited councellor(s).

The award is endowed with a total of 3,000 Euro. The jury holds the right to split the prize between two applicants in equal parts. The award will be handed over at a public event organized by the DGPh.

Submission requirements are the following pdf-files:

– A complete manuscript as electronic file form
– An abstract of the submitted work (approx. 300-500 words)
– A curriculum vitae (résumé)
– A list of publications.

The final date for submissions is the 30rd of September, 2016.

Submissions should be send online under:

http://www.dgph.de/sektionen/geschichte_archive/ausschreibung-dgphforschungspreis-fuer-photographiegeschichte-2016

More information about the German Photographic Society: www.dgph.de