All posts by jesslopezv

INTERN. ONLINE PF REVIEW, FOTOBIENNALEN’18. Sept., 2018

A new Danish biennial for contemporary photography and lens-based art, Fotobiennalen 2018 will focus on the post-photographic image and photography’s expanded field.

Founded in 2016, Fotobiennalen is a collaboration between Galleri Image in Aarhus, Brandts in Odense and Fotografisk Center in Copenhagen. With exhibitions in all three cities, the opening of the biennial will take place over three days – in Aarhus on August 29th, Odense on August 30th and in Copenhagen on August 31st.

As a major part of Fotobiennalen, an international symposium will be held in Copenhagen followed by this year’s new addition – a month of online reviews organized by Portfolio Dialogue.

Date: September 1 – 30, 2018. 

Open for bookings on 1 August.

Profiles of Reviewers: Curators, museum directors, publishers, magazine editors, artistic directors, fellow artists, etc.

Email: info@portfoliodialogue.com

Web: www.portfoliodialogue.com/

 

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JULIA MARGARET CAMERON AWARD FOR WOMEN PHOTOGRAPHERS. Deadline: Sept. 12, 2018.

The Gala Awards, with the sponsorship of the Biennial of Fine Art & Documentary Photography invites women photographers worldwide to submit images to the 12th Edition of The Julia Margaret Cameron Award.

AWARDS AND EXHIBITION SELECTION:

The Jurors of the 12th Julia Margaret Cameron Award will select one Winner in the Professional Section and One Winner in the Non-Professional Section. The Gala Awards will organize a solo exhibition for each Winner in the respective sections taking care of all exhibition expenses, including printing and framing of up to 20 photographs each. The exhibition will be held in adjunct spaces in Barcelona on Q1 or Q2 2019. A curator designed by The Gala Award will assist the Winners in the selection of the work to be exhibited and will take care of the exhibition setup.The Winners of the categories Segregation & Human Rights, and Women Seen by Women will have a special award of $500 each.

The Jurors will also select, in both Pro and Non-Pro Sections, runner ups and honorable mentions, as well as a short list of finalists. All these photographers will be invited to exhibit in a collective exhibition in a space contiguous of those of the Winners. The exhibition organization and venue costs, will be borne by The Gala Awards, and the exhibitors will be charged for printing and framing, and setup costs (hanging, labeling, and insurance). Images of all awardees (Winners, Runner Ups, Honorable Mentions, and Finalists) will be exhibited online in The Gala Awards’ website during a minimum of two years.

CATEGORIES:
The Julia Margaret Cameron Award is addressed to professional and non professional women worldwide, who will compete in this editions in two different sections (Pro and Non-Pro) in the following categories: Abstract – Alternative Processes – Architecture & Interiors – Children – Cell Phone – Cityscapes – Culture & Daily Life – Digital Manipulation & Collage – Documentary & Reportage – Editorial & Current Affairs – Fine Art – Landscapes & Seascapes – Motion – Nature – Nude & Figure – Open Theme – People – Portrait – Segregation & Human Rights – Self Portrait – Still Life – Street Photography – Wild Life – Women Seen By Women. (A professional photographers is defined as anyone who earns more than 50 percent of her annual income from photography.)
FEES: During the Early Bird, until July 24Single Images:  $42 for the first 3 images (the minimum of images to submit is 3); $9 each additional image.Series: $45 for 1 series of 3 to 6 images; $13 each additional series.

From July 25 until the Final Deadline on September 12: $60 for the first 3 images (the minimum of images to submit is 3); $13 each additional image.

SERIES: $65 for 1 series of 3 to 6 images; $18 each additional series.

DATES:
Early Bird Deadline with 30% discount: July 24, 2018.
Final Deadline: September 12, 2018
Jurors’ announcement: first week of October, 2018.

MORE INFORMATION

Call for Submissions: Journal for Artistic Research (JAR). Deadline: Sept. 6, 2018.

JAR invites submissions from all fields and disciplines in which artistic research may be relevant, including areas that are not usually conceived of as artistic. We welcome submissions from practitioners with or without academic affiliations. JAR’s format for publishing artistic research, the exposition, invites authors to combine text, image, film, and audio material on expandable web pages, challenging the dominance of writing in traditional academic research. Submissions in multiple languages are accepted, if accompanied by an English translation, which will act as master version. Multilingual expositions are also welcome as long as translations are provided.
The Journal for Artistic Research (JAR) is an international, online, Open Access and peer-reviewed journal that disseminates artistic research from all disciplines. JAR invites the ever-increasing number of artistic researchers to develop what for the sciences and humanities are standard academic publication procedures. It serves as a meeting point of diverse practices and methodologies in a field that has become a worldwide movement with many local activities. JAR provides a digital platform where multiple methods, media and articulations may function together to generate insights in artistic research endeavours. It seeks to promote expositions of practice as research. In JAR artistic research is viewed as a developing field where research and art are positioned as mutually influential. Recognising that the field is ever developing and expanding, JAR remains open to continued re-articulations of its publishing criteria.

The JAR Network further facilitates exchange among the artistic research community. This part of the site is an extension of JAR rather than part of the peer reviewed journal. In the Network we publish writing that actively responds to issues in the field, allowing JAR to give focus to developments and make public some of the important discussions that artistic researchers have in their own local contexts.

For submissions information, and advice on whether your research is suitable for JAR, contact the Managing Editor, using the web contact form.

Submission Requirements

JAR works with an international editorial board and a large panel of peer-reviewers. Editor in Chief: Michael Schwab – Peer Review Editor: Julian Klein. Editorial Board: Alex Arteaga, Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika Elo, Azadeh Fatehrad, Yara Guasque, Julian Klein and Mareli Stolp.

JAR is published by the Society for Artistic Research (SAR), an independent, non-profit association. You can support JAR by becoming an individual or institutional member of SAR. More information can be found here.

PHOTOBOOK PRIZES & DUMMY AWARDS 2018.

Just in time before the summer, we have compiled this list of dummy competitions and photobook prizes.

Entries are sorted by date. The ones that are still open (as of June 2018) go first. For more infomation, go to their respective websites. This list is sure to grow as we find out about new ones. If you know of any we should add, please let us know.

Still open:

Fiebre Phonebook: Hurry! Deadline June 26, Fee: 20 €

Photobook Week Aarhus Dummy Award: Hurry! Deadline June 30, No fee.

UNSEEN: Deadline August 10, Fee: 30 € 

 

Coming Up:

MACK First Book Award: Wait for January 2019

Photobook Kassel:  Wait for April 2019

Nordic Dummy Award: Wait for May 2019

Landskrona Festival: Wait for June 2019

DocFiledBarcelona: Wait for 2019

 

Many festivals and institutions have prizes for already published photobooks. Here are some of these Book Prizes 

Paris Photo – Aperture PhotoBook Awards Open till September 14, 2018. 

Rencontres Arles: Wait for mid-2019

PHotoESPAÑA: Wait for mid-2019

(more to be added soon)

 


 

Finally, here is a list of other photobook events around the globe:

Photobook Fest Russia

http://photobookfest.com/eng

Katerina Zueva: zueva@lumiere.ru

Photobook Bristol

http://www.photobookbristol.com/

photobookbristol@gmail.com

Self Publish Riga

http://rigasfotomenesis.lv/en/news

+371 26 728 549

arnis.balcus@rigaphotomonth.com

The NY Art Book Fair

http://nyartbookfair.com/

nyartbookfair@printedmatter.org

PhotoIreland Festival’s Book & Magazine Fair

http://photoireland.org/

http://festival.photoireland.org/contact/

Organ Vida, Zagreb

https://ovfestival.org/

info[at]organvida.com

secretary: +385 91 9523 370

Istanbul Photobook Festival

http://fuamproject.com/en/?p=1583

+90 212 252 16 00

fuam@msgsu.edu.tr

Melbourne Photobook

http://www.photobookmelbourne.org/

hello@photobookmelbourne.org

+61 (0) 401 679 496

New Zealand Photobook

http://www.photoforum-nz.org/index.php?pageID=94

info@photoforum-nz.org

 

THE LOS ANGELES CENTER OF PHOTOGRAPHY ANNOUNCE THE FOURTH ANNUAL PORTFOLIO REVIEW. JULY 20-22, 2018.

The Los Angeles Center of Photography is pleased to announce its Fourth Annual Portfolio Reviews! at the EXPOSURE WEEKEND 2018.

The weekend will be filled with reviews, workshops, seminars, and networking events. The dates are Friday – Sunday, July 20-22, 2018. This year’s event will be held entirely at the beautiful Hotel MdR, a Doubletree by Hilton, in Marina Del Rey, CA. Reviews are 20 minute face-to-face meetings with gallery owners, photo editors, museum curators, publishers and other photo professionals.On Thursday, July 19, 6-8 pm, EXPOSURE WEEKEND 2018 will kick-off with LACP’s Fifth Annual Members’ exhibition opening reception at the Los Angeles Center of Photography. The show is juried by Catherine Couturier, the owner and director of the Catherine Couturier Gallery.

On Friday, July 20, 6-8 pm, EXPOSURE WEEKEND 2018 will host a Portfolio Walk. This event will be open to the public and anyone participating in the portfolio reviews can show their work. This will be a fun night and a chance to meet reviewers and see the work of your fellow photographers.

Portfolio Reviews are sold in blocks of 5 or 8 reviews and will be filled on a first come, first served basis. After registering for your reviews, you will be contacted to submit your reviewer preferences in order from 1-15, 1 being who you would like to see the most. The date you register holds your place in line and priority is given to those who register early. Schedules will be released by early July.
*Single Reviews will be released in July, only if there is space available.
Portfolio Review Pricing and Info
When: Friday-Sunday, July 20-22, 9:30 am – 5 pm, 2018
Where: Hotel MdR, a Doubletree by Hilton, 13480 Maxella Avenue, Marina del Rey, CA 90292

Early Bird Pricing (on or before June 8, 2018)
$475 ($450 Members) for 8 reviews
$325 ($300 Members) for 5 reviewsRegular Pricing (after June 8, 2018)
$500 ($475 Members) for 8 reviews
$350 ($325 Members) for 5 reviews

 

 More information

OPEN CALL: SAAS-FEE SUMMER INSTITUTE OF ART BERLIN. Art and the Poetics of Praxis in Cognitive Capitalism. DEADLINE JUNE 19, 2018.

Saas-Fee Summer Institute of Art (SFSIA) is a nomadic, intensive summer academy with shifting programs in contemporary critical theory. SFSIA stresses an interdisciplinary approach to understanding the relationship between art and politics. This year, in addition to the Berlin academy, we are hosted by Otis College of Art and Design at their Los Angeles campus with participation of the MA Aesthetics and Politics in the School of Critical Studies, CalArts. The program runs two weeks and is structured with half-day seminars, deep readings, and workshops. In the evening SFSIA holds a lecture series, which is open to the public. It is an exciting, rigorous environment to learn in.

Saas-Fee Summer Institute of Art | Berlin, 2018 is titled Art and the Poetics of Praxis in Cognitive Capitalism. The seminar will revisit pressing topics of past programs (such as estrangement and individuation) in order to consider the potential healing of a general intellect, now fragmented, dispossessed and restricted by the power of virtuality and techno-linguistic governance. As Franco Berardi has observed, the rising generation is the first to have learned more words from a machine than from their mothers; the result is —in a sense quite different from that intended by Rimbaud— an immense dérèglement de tous les sens or deregulation of signification: a break between meaning and the body. Disempathy is one result. In The Uprising, Berardi calls on poetry to revitalize and reactivate the precarious social body and reconnect a collective intelligence by way of forging singular voices and autonomous resonances. Berardi’s call to poiesis is where this year’s Institute begins.

Submission

More information: saasfeesummerinstituteofart.com

 

ENGAGED, ACTIVE, AWARE_WOMEN’S PERSPECTIVES NOW. DEADLINE: JUNE 15, 2018.

ORGAN VIDA International Photography Organization based in Croatia invites artists from all over the world who work in the medium of photography as such or in an expanded form, video and sound, installation, collage to apply to this open call and respond to the given topic: Engaged, Active, Aware — Women’s Perspectives Now. The selected artists will exhibit their work at the main curated exhibition during the jubilee 10th ORGAN VIDA — International Photography Festival at the Museum of Contemporary Art in Zagreb, Sep 12 – 30, 2018.

In the time of post-capitalist global turmoil, technological advancements, strengthening of the right-wing extremism, the growing influence of the religion that limits women rights again, and the semblance of democracy in the 21st century, we are facing a situation in which women must fight anew for the rights that had been won long ago. In the midst of initiatives such as #MeToo, Free the Nipple, The Future is Female, and phenomena such as the female gaze, it is necessary to re-examine the current role of photography in representing and articulating women’s experiences, and to critically rethink how digital culture is transforming feminist approaches to the image.

Members of an international jury will have the task of evaluating and selecting 20 artworks that address contemporary challenges, issues and perspectives related to this open call. In particular, the emphasis will be on the inclusion and appreciation of diverse attitudes, different cultural and geographic context that can jointly, in the framework of the curatorial concept, provide an overview of the current situation in the global socio-political and feminist scene. We therefore invite all interested artists who work in the medium of photography as such or in an expanded form, video, or installation to apply to this open call and respond to the given topic. The selected artists will exhibit their work at the 10th Organ Vida Photography Festival at the Museum of Contemporary Art in Zagreb, Sep 12 – 30, 2018.
Submission deadline: 15 June, 2018.

Fees: 30€ per project, 20€ for Balkan countries (ex Yugoslavia). Artist from countries in the Balkan region (Bosnia and Herzegovina, Croatia, Kosovo,the Republic of Macedonia, Montenegro, Serbia, Slovenia) have a reduced entry fee. Applicants must have a voucher to get the 10€ discount.

Submissions

More information